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The True False Identity

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Album Review

As a musician and songwriter, T-Bone Burnett often manages the canny feat of seeming direct and elusive at the same time; there's an emotional power and clarity in his best music that's bracing, passionate, and scrupulously honest, but he's also capable of using his artifice to throw his messages in several directions at once, and it's sometimes difficult to tell just what his intended target is supposed to be (which is part of what makes his work fascinating in the first place). Lately, Burnett's star has risen considerably as a producer, having coordinated the multi-platinum soundtrack albums for O Brother, Where Art Thou? and Walk the Line as well as breakthrough projects for Counting Crows and the Wallflowers, and Burnett's estimable skills in the studio are the best thing about The True False Identity, his first album since The Criminal Under My Own Hat in 1992. Three drummers are credited in the liner notes (Carla Azar, Jay Bellerose, and Jim Keltner), and it often seems as if all three are playing at once, as a precisely arranged clatter runs throughout these 12 songs, with Dennis Crouch's double bass keeping the rhythms locked in and Marc Ribot's superb guitar work carrying the brunt of the melody and conjuring the aural atmosphere (enough so that he could probably demand co-star billing if he were of a mind). Musically, The True False Identity is fascinating and challenging stuff, and the album is full of the sort of clever wordplay one would expect from Burnett, although a number of the songs cover themes — still relevant themes, it should be emphasized — that he's written about more effectively in the past (especially "Blinded by the Darkness" and "Hollywood Mecca of the Movies"). The writing on The True False Identity sometimes sounds like slogans rather than carefully thought-out verse — although they're often great slogans ("If sin were dealt with by the laws of man, everybody would be in jail," "Cowboy with no cattle, warrior with no war/They don't make imposters like John Wayne anymore," "When you're out for revenge, dig two graves"). Burnett can do better, but from nearly anyone else, The True False Identity would be a striking and adventurous work.

Customer Reviews

Alternative Rock Delivered! Musically Rockin with a Brain!

Excellent Lyrics, Music, Sounds, Mix, Performances. T-bone really can make records which hit artistic plateaus time after time. This is an example of what a recording artist should deliver if you dare to call yourself an artist! This one sounds great with headphones or while you clean house and of course you can even dance to it!

Love-Child of Tom Waits' "Bone Machine"

This dry and witty collection of songs from the heart of America's most mysterious musician borders on rock, country, folk and alternative. It combines ironic lyrics with archaic and earthy instrumentations (a la Tom Waits), which makes for a terrific and mindblowing experience. I can't think of anything greater!

Incomparable

This album and Tooth of Crime are unique. I have never listened to anything that compares to this music. The extremely powerful music and lyrics generate thoughts and visuals like nothing else I've heard. This is not your average party-mix background music. It is deep, emotional, and demanding, but well worth it. If they were on vinyl I'd say buy two, because you're going to be listening to these for the rest of your life.

Biography

Born: January 14, 1948 in St. Louis, MO

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Despite critical acclaim as a performer, the rootsy singer/songwriter T-Bone Burnett earned his greatest renown as a producer, helming recording sessions for acts ranging from Roy Orbison and Elvis Costello to Counting Crows and Sam Phillips. Born Joseph Henry Burnett on January 14, 1948, in St. Louis, Missouri, he grew up in Fort Worth, Texas, soaking in the area's indigenous blend of blues, R&B, and Tex-Mex sounds. Instead of attending college, he opted to open his own Fort Worth recording...
Full Bio