22 Songs, 1 Hour, 42 Minutes


Customer Reviews

4.7 out of 5

6 Ratings

6 Ratings

quit an album


bought it for the title song, but it's very deep

Great discovery

CPB 53

I had never heard of this band. Heard title track and checked out the album. Truly great! Cool variety and arrangements. Awesome sound. Irish-sounding influence. So different from what's out in the mainstream.

An artistic peak.


In 1985, Mike Scott was responsible for one of the best rock albums of the eighties, This is the Sea, a record which can stand with anything put out by contemporaries such as U2 and Simple Minds. He then took three years (and went through most of his bandmates) recording this sublime collection influenced by American country music, Irish and Scottish traditional music, and Yeats. Needless to say, Fisherman's Blues sounds almost nothing like earlier Waterboys' records, or almost anything else that was released out at the time. Ironically, it has become Scott's signature collection, the record that yielded his biggest hit and greatest artistic praise.

Highlights include And a Bang on the Ear (a colloquialism for "a peck on the cheek" and not a paeon to domestic violence), the simply sublime title track, and a stunning cover of Van Morrison's "Sweet Thing" which morphs into the Beatles' "Blackbird" and in my opinion manages to eclipse Van's original. The country homage, "Has Anyone Hear Seen Hank" manages to effortlessly summon up the band's love of a certain kind of country music (and performer) without ever falling into cliches or bland homilies.

In truth, there's not a bad track on this and I cannot recommend this album highly enough. Buying it through iTunes, or even on CD, does bring with it a certain irony, however, as this is one of the most analog recordings I can think of. The follow-up, Room to Roam, mines much of the same vein, but never reaches these heights. Similarly, Fisherman's Blues Pt. 2 (available here on iTunes) consists of material recorded around this time, some of which is fantastic, some of which isn't. But if you really want more of this sound, seek out the Fisherman's Box set, which contains six discs worth of the sessions which yielded this album. As with Dylan's Complete Basement Tapes release, opening the door to the vault reveals both gems and experiments fallen flat or gone awry, and a considerable amount of screwing around with the tape running. But just as with the Basement Tapes, there is a timeless quality in these sounds, which make Fisherman's Blues absolutely essential to any well-rounded collection.

About The Waterboys

Led by the literate singer/songwriter Mike Scott, the group's sole constant member, the mercurial Waterboys formed in London in 1981. Born December 14, 1958, in Edinburgh, Scotland, Scott first became involved in music as the creator of the fanzine Jungleland and later played in a series of local punk outfits. After college, where he studied English and philosophy, Scott and his band, Another Pretty Face, moved to London; following the group's breakup, he formed the Waterboys, so named after a line in the Lou Reed song "The Kids" but wholly appropriate given Scott's recurring lyrical fascination with sea imagery.

A newspaper advertisement calling for musicians led to a response from multi-instrumentalist Anthony Thistlethwaite; along with drummer Kevin Wilkinson, the Waterboys issued their self-titled debut in 1983. Keyboardist Karl Wallinger and trumpeter Roddy Lorimer joined for the 1984 follow-up, A Pagan Place, which expanded the group's rich, dramatic sound while further exploring Scott's interest in spirituality. With 1985's This Is the Sea, the Waterboys reached an early peak; a majestic, ambitious record, it earned the group a significant hit with the single "The Whole of the Moon."

However, after the album's release, Wallinger departed to form World Party, which prompted Scott and Thistlethwaite to relocate to Ireland and begin with a clean slate. When the Waterboys returned in 1988 with the acclaimed Fisherman's Blues, they were joined by traditional Irish players like fiddler Steve Wickham, drummer Dave Ruffy, keyboardist Guy Chambers, and bassist Marco Weissman, resulting in a stripped-down, folky sound that was continued on 1990's Room to Roam.

In 1991, Scott moved to New York without Thistlethwaite or any other bandmembers; the release of 1993's Dream Harder, cut with session musicians, marked a return to an electric, more rock-oriented sound. Soon Scott moved back to Scotland, where he began a lengthy stay at a spiritual commune; there he recorded the folk-tinged Bring 'Em All In under his own name, apparently putting the Waterboys to rest for good.

On July 17, 1999, drummer Kevin Wilkinson committed suicide in his countryside home in Swindon, Wiltshire, England, just prior to jetting off on an American tour with Howard Jones. Wilkinson, who had also worked with Squeeze, China Crisis, Bonnie Raitt, and the Proclaimers, had been a member of the Waterboys since their 1983 self-titled effort.

Good fortune was in the wings, however, as Mike Scott resurrected the Waterboys' name in 2000. Rock in the Weary Land marked the band's first release in seven years. Thistlethwaite and Wickham returned to the group, and tours across the world proved successful. Fisherman's Blues, Pt. 2, an album featuring previously unavailable material from the Fisherman's Blues sessions, appeared in the summer of 2002. Scott returned to the studio for 2003's Universal Hall, followed by Book of Lightning in 2007.

After a couple of years of touring and time off, Scott assembled and released a compilation of unreleased songs from the Waterboys This Is the Sea sessions entitled In a Special Place in 2011, and also published a book entitled, Kiss the Wind: A Waterboy's Adventures in Music. He and bassist Scott Arciero also assembled a new version of the Waterboys -- Wickham (fiddle), Katie Kim (vocals), James Hallawell (keyboards), Kate St John (sax, oboe), Blaise Margail (trombone), Ralph Salmins (drums), Sarah Allen (flute), and Joe Chester (guitar) -- who began performing together in late 2010 and early 2011. In March they entered a studio to commence recording a new album. An Appointment with Mr. Yeats, a collection of new songs whose lyrics were taken from the poems of William Butler Yeats. The sessions were completed in June. The album was released in Europe in the early fall on Proper, and in the United States in early 2012. In January of 2015, the Waterboys released Modern Blues. The album was recorded in Nashville, produced by Scott and mixed by Bob Clearmountain. Scott's next Waterboys project was an ambitious and eclectic double album, 2017's Out of All This Blue, which added elements of country, R&B, and hip-hop to the group's mix. ~ Jason Ankeny

    London, England



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