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Free Your Mind

Cut Copy

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Album Review

After the release of their dark, '80s-inspired synth pop classic In Ghost Colours in 2008, Cut Copy have been warming up and expanding their sound to the point where they almost sound like a completely different band. 2011's Zonoscope was almost excessively bright and extroverted, with songs like "Where I'm Going" almost sounding like Jock Jams in comparison to the introspectively moody sound the band had previously established. Their 2013 album, Free Your Mind, is even bigger sounding and warmer than a hug from the sun. Taking tons of inspiration from the late-'80s and early-'90s club scene in the U.K. and touching on everything from the Hacienda-ready acid house to the thumping piano house of groups like Black Box, the album is a danceable love letter to the era. Almost every move the group makes is instantly familiar to anyone with any interest in that time period, but the band add more than enough of their own personality, as well as advanced skill at mixing and matching moods and feels, to keep it from being an empty exercise in nostalgia. Call it a full exercise instead. Influences and inspirations aside, what makes the album work is the sense of joy and upbeat emotion that the band, and especially vocalist Dan Whitford, inject into every nook of every song. Starting off with "Free Your Mind," a bongo and gospel backing vocal-filled empowerment jam so soft and fuzzy that even Primal Scream at their most "Come Together" dippy might find a bit much, and going from there, the record is light as a shiny helium balloon. Like that balloon, it doesn't lose its bouncy buoyancy until the very end. After all, the percolating house trax that should fill dancefloors (like the very Pet Shop Boys at their best-sounding "Footsteps"), higher-than-the-sun electro-pop ("Dark Corners and Mountain Tops," which sounds like ELO gone full disco, "Take Me Higher"), and slowly grooving songs that are perfect fodder for late-night revelry (the K-Klass sampling "Let Me Show You Love"), the album ends with a bit of a stinker. "Walking in the Sky" comes off like the Verve at their U2-loving worst; overly preachy and obvious with its heart in the right place, but an annoyingly simple tune to go with it. This stumble leaves a bad taste in the mouth, but one that can be easily removed by doubling back and listening to a great song like the uplifting "We Are Explorers," that also has a message, and with it, a propulsive beat, a sparkling melody, and shimmering synths. So skip that track and the rest goes down as smoothly as a well-mixed, neon-colored cocktail, or four, and will leave you woozy and reeling from the music's warm embrace. Cut Copy may have left behind the monochromatic brilliance of their early work, but the explosion of colors they've added like Jackson Pollock on a bender has only made their growth more interesting and enriching.

Customer Reviews

Woah! :)

Cut Copy just keeps getting better and better! I love the new sound! Get ready to dance!

My mind is freed!

This album is amazing! Cut Copy continues to create songs that take you away from the stress of life, and create fantasies for everyone to enjoy. The theme is light and overall fun. I’ve had this on repeat since they allowed you to stream it on their website, and now I’m happy to have the album on CD. Keep up the magic!

Cut copy why?

I like the new sound by why can’t you guys just do another album like in ghost colors?
This new stuff takes to long to get into, where as in ghost colors got straight to the point.

Biography

Formed: Melbourne, Australia

Genre: Electronic

Years Active: '00s, '10s

Australian indie electronic group Cut Copy take many of their cues from contemporaries like Air, Daft Punk, and LCD Soundsystem, but with a distinctly pop sensibility that draws on classic AM radio pop singles from the 1970s and '80s, with elements of vintage disco and synth pop that appeal to song-based listeners as well as to club kidz. Cut Copy started in 2001 as a solo project by songwriter, producer, and DJ Dan Whitford, who released the single 1981 and the EP I Thought of Numbers before drafting...
Full Bio
Free Your Mind, Cut Copy
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