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Debbie Harry

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Reseña de álbum

A return to the trashy, bubblegum-rock style of early Blondie, featuring the hit "French Kissin'."

Reseñas de clientes

Comment on Review

Again, the review here stinks. This was very much in the vein of Koo Koo and her earlier work. Just as Parallel Lines differed from AutoAmerican, so too did Rock Bird differ from Koo Koo. But the overall theme of Harry rockng out to guitar, horns, and beats, with samples and R&B mixing was present in both solo albums. Also a great album, this one is not quite as good as Koo Koo, but features notorious classics such as French Kissin ... -hellrat

Its Different

The album is a good album but you have to be open to the fact that it does not sound like blondie i mean debbie harrys voice is unmistakeable but its not blondie but its worth a listen.


The one two punch of I Want You and French Kissin' start the album off great. Unfortunately, there isn't anything else of great value, except perhaps, In Love With Love which is actually much better in remix format. Overall, the weakest of Debbie's solo output which is generally underrated and always compared to the work of Blondie, right or wrong.


Nacido/a: Miami, FL, 01 de julio de 1945

Género: Rock

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

As the face and sound behind one of new wave's most influential bands to emerge during the punk heyday of the '70s, Debbie Harry was the ultimate diva. She was the Blondie frontwoman, a vixen with hypnotically wild stage moves and an edgy cool...
Biografía completa
Rockbird, Debbie Harry
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