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Silver Convention

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Album Review

Although not quite as strong as Save Me, the Silver Convention's self-titled second album is a respectable, if uneven, Euro-disco effort that boasts the disco smash "Get up and Boogie." In the U.S., "Get up and Boogie" was the only tune on the LP that enjoyed a lot of radio airplay. But dance club DJs weren't about to play that single exclusively; they also gave a lot of exposure to high-gloss cuts that range from the lush "San Francisco Hustle" and the mildly funky "No No Joe" to the dreamy "You Got What It Takes (To Please Your Woman)" and the clever "Play Me Like a Yo-Yo." On a few tracks, the Silver Convention tries to demonstrate that it can sing more than Euro-disco. "The Boy With the Ooh La-La" is a playful pop-reggae number, while "Thank You, Mr. D.J." is an unremarkable pop ballad. But Euro-disco is what the Silver Convention did best, and it is the style that dominates this generally decent sophomore effort.


Formed: 1974 in Munich, Germany

Genre: R&B/Soul

Years Active: '70s

Best remembered for their disco smash "Fly Robin Fly," the Munich, Germany-based ensemble Silver Convention was formed by producers Silvester Levay and Michael Kunze, debuting in 1975 with the LP Save Me and scoring a U.K. hit with the title track. After topping the American charts with "Fly Robin Fly," Levay and Kunze recruited a trio of vocalists -- Linda Thompson (not to be confused with the same-named singer and wife of guitarist Richard Thompson), Ramona Wulf, and Penny McLean -- who began appearing...
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