This Desert - EP
The Hundred In the Hands
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||Building In L.O.V.E.||The Hundred In the Hands||3:28||$0.99||View in iTunes|
||Tom Tom||The Hundred In the Hands||3:40||$0.99||View in iTunes|
||Ghosts||The Hundred In the Hands||3:49||$0.99||View in iTunes|
||Sleepwalkers||The Hundred In the Hands||3:53||$0.99||View in iTunes|
||In To It||The Hundred In the Hands||4:04||$0.99||View in iTunes|
||It's Only Everything||The Hundred In the Hands||3:35||$0.99||View in iTunes|
By the 2010s, synth pop bands were so abundant that for Warp to sign one to their roster, it meant that the group was doing something special. On their debut EP This Desert, the Hundred in the Hands do more than just give the ‘80s musical CPR. Yes, the duo’s sound is rooted in synth pop, but it’s tempered with dream pop delicacy and more electronic artistry than many of their contemporaries. There’s also a frostiness to their music, and to Eleanor Everdell’s voice in particular, that puts them closer to labelmates like Broadcast than some groups that might seem more similar on the surface. Everdell recalls an American Trish Keenan on “Building is L.O.V.E.,” which, with its ghostly atmosphere and brisk beats, is a synth pop hit heard through mist. Her voice is so pure and clean that it doesn’t need a lot of musical adornment, and the best songs here take advantage of her girlish-yet-icy pipes to their fullest. “Tom Tom” is bewitching, contrasting Everdell’s voice with a spare, tribal beat and lovely a cappella harmonies; and when the guitars and drums warm up on “Sleepwalkers,” Everdell just gets colder, singing about “ugly silver skies.” While the Hundred in the Hands’ synth pop and post-punk influences are clear, the band isn’t slavishly obedient to them, even on the rippling “Ghosts,” which recalls the xx’s slow-burning beauty, and “In to It,” a spare but joyous track that boasts guitars equally inspired by Afro-pop and the Durutti Column. On almost every song here, the group switches between reveries and danceable beats, a trick that works well except for on “It’s Only Everything,” a harder-edged track that finds Everdell failing to pull off Siouxsie Sioux-style hauteur convincingly. She, and This Desert, are much more convincing when they’re ethereal, and though the Hundred in the Hands are figuring out their strengths here, this is still a confident and distinctive debut.
I can't get Ghosts out of my head.
two hits and four misses
I'm kind of confused by this offering. On the one hand Ghosts is great (my favorite) and Sleepwalkers is very good, but the other songs are out of place, and kind of lame in my opinion. I heard Sleepwalkers at UNIQLO and wanted to check them out. Ghost was a very pleasant surprise, but the other songs are a waste, and I doubt I'll listen to them again.
I suggest buying those two as singles. I liked them enough to give the entire thing three stars, but the other songs were disappointing. To each his own, though. This Desert will be on my radar, but I'm not sold yet.
Just saw the interface for these guys..
..and couldn't resist buying this! If you haven't seen the live interface with these guys yet its totally worth checking out, 2 songs that aren't on this CD, and they are amazing. Either way these are some awesome songs and I cant wait for the full length!!!
Formed: Brooklyn, NY
Years Active: '00s, '10s
Top Albums and Songs by The Hundred In the Hands
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