iTunes

Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Autumn Is the End by Steven R. Smith, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Autumn Is the End

Steven R. Smith

Open iTunes to preview, buy, and download music.

Album Review

As was the case with much of Steven R. Smith's earlier solo work, Autumn Is the End doesn't show much of the various around-the-world music inspirations that would later come to bear in his compositions, except by default perhaps (such as the droning howls opening up "In Held Ambit"). Instead, the focus is on guitar-led instrumentals pitched somewhere between Roy Montgomery's explorations and acid folk jams, at once murkily alien and sometimes quite serene. The sense of New Zealand-inspired shadow comes up more than once throughout the album — the blend of stern piano and heavily reverbed guitar on "Sifting Chimelle" and "In Held Ambit," for instance. Generally, Smith arranges his compositions to contrast his guitar drones and textures with other instruments that often provide the core rhythms or melodies for him to play around or against. "This Fleeced Reel," with its steady, echoing beats and keyboard parts, gives his guitar plenty of room to fill in, which it does and then some, veering between full-bore textural dominance and calmer melodies. The immediately following "To This Nothing Already Then," meanwhile, is the closest to a Mirza-like composition in that it has the feel of a full band jam thanks especially to the drums, making Smith's ability to capture that feeling via overdubs all the more impressive. It's also some of his best playing overall on the album, with the near-anthemic build of the guitars toward the middle capturing a feeling of dark but strong exultance, keyboards adding a heavenly glaze around the corners, before everything breaks into a massive, rushed final charge. In contrast, "Ohne.../Long, Long Hence" is the most empty, quiet composition in its first part, making the return to a slow-rising full arrangement in the second part that much more dramatic.

Biography

Genre: Alternative

Years Active: '90s, '00s

After the San Francisco space rock unit Mirza disbanded, Steven R. Smith embarked on a solo career, building melancholy soundscapes with detailed layers of guitars and other instruments. Smith issued two albums in 1999, From Ashes Come and Autumn Is the End; the all-instrumental covers EP Death of Last Year's Man followed in 2000. Two years separated the EP from Lineaments, a lush...
Full Bio

Listeners Also Bought

Autumn Is the End, Steven R. Smith
View In iTunes

Customer Ratings

We have not received enough ratings to display an average for this album.

Contemporaries