25 Songs, 2 Hours, 15 Minutes

EDITORS’ NOTES

Rick James’ most popular album is also his most uncompromising. Street Songs features explicit portraits of inner-city life, told from an insider’s perspective. With his tales of pimps, players, stoners and corner boys, James was hip-hop at a time when hip-hop barely existed, and his innovations would go on to influence an entire generation of rappers. Beyond the original killer album, and some additional 12” cuts, the real attraction of this deluxe edition is the second disc, which merges recordings from two James concerts at the Long Beach Arena, on July 30 and 31, 1981. While James is regarded as a master of the recording studio, the live set is a reminder of his unparalleled fire as a live performer. In the stadium setting, James turns club tracks like “Big Time” and “Give It To Me Baby” into sweaty, unhinged singalongs. His energy is jaw-dropping—“Love Gun” becomes so explosive that it nearly turns into heavy metal. The concert’s centerpiece is two duets with Teen Marie, “I’m A Sucker For You Love” and “Square Biz,” which together bring the show to a untamed boiling point.

EDITORS’ NOTES

Rick James’ most popular album is also his most uncompromising. Street Songs features explicit portraits of inner-city life, told from an insider’s perspective. With his tales of pimps, players, stoners and corner boys, James was hip-hop at a time when hip-hop barely existed, and his innovations would go on to influence an entire generation of rappers. Beyond the original killer album, and some additional 12” cuts, the real attraction of this deluxe edition is the second disc, which merges recordings from two James concerts at the Long Beach Arena, on July 30 and 31, 1981. While James is regarded as a master of the recording studio, the live set is a reminder of his unparalleled fire as a live performer. In the stadium setting, James turns club tracks like “Big Time” and “Give It To Me Baby” into sweaty, unhinged singalongs. His energy is jaw-dropping—“Love Gun” becomes so explosive that it nearly turns into heavy metal. The concert’s centerpiece is two duets with Teen Marie, “I’m A Sucker For You Love” and “Square Biz,” which together bring the show to a untamed boiling point.

TITLE TIME
4:09
4:23
4:49
4:19
3:25
7:22
3:56
2:40
5:45
6:51
7:10
3:33
1:46
4:20
7:07
4:14
8:27
7:00
3:34
5:42
2:21
10:39
4:21
11:48
6:05

About Rick James

In the late '70s, when the fortunes of Motown Records seemed to be flagging, Rick James came along and rescued the company, providing funky hits that updated the label's style and saw it through into the mid-'80s. Actually, James had been with Motown earlier, though nothing had come of it. After growing up in Buffalo and running away to join the Naval Reserves, he ran away from the Navy to Toronto, where he was in a band with future Buffalo Springfield members Neil Young and Bruce Palmer, and with Goldy McJohn, later of Steppenwolf. As the Mynah Birds, they signed to Motown and recorded, though no record was ever released.

James had a journeyman's career playing bass in various groups before signing again to Motown as an artist, songwriter, and producer. His first single, "You and I" (May 1978), topped the R&B charts and reached the pop Top 40. "Mary Jane" (September 1978) was another hit. Both were on James' debut album, Come Get It! (June 1978), which went gold. Subsequent efforts were not as successful, though Bustin' Out of L Seven (January 1979) featured the R&B hit "Bustin' Out" (April 1979). James returned to form with the number one R&B hit "Give It to Me Baby" (March 1981), featured on the million-selling Street Songs (April 1981), which also featured the hit "Super Freak."

James turned his production attention to resuscitating the career of the Temptations, recently returned to Motown, and "Standing on the Top" (April 1982), credited to the Temptations featuring Rick James, was an R&B Top Ten. (He also produced recordings by Teena Marie and the Mary Jane Girls.) James' follow-up to Street Songs was the gold-selling Throwin' Down (May 1982), which featured the hit "Dance Wit' Me." The title song of Cold Blooded (August 1983) became James' third R&B number one, and the album also featured his hit duet with Smokey Robinson, "Ebony Eyes." James' greatest-hits album Reflections (August 1984) featured the new track "17" (June 1984), which also became a hit. Glow (April 1985) contained Top Ten R&B singles in the title track and "Can't Stop," which was featured in the summer movie blockbuster Beverly Hills Cop. The Flag (June 1986) featured the hit "Sweet and Sexy Thing" (May 1986).

James left Motown for the Reprise division of Warner Bros. Records as of the album Wonderful (July 1988), which featured his number one R&B hit "Loosey's Rap," on which he was accompanied by rapper Roxanne Shante. Nevertheless, his "punk funk" didn't seem to rest comfortably with the trend toward rap/hip-hop. In 1989, James charted briefly with a medley of the Drifters hits "This Magic Moment" and "Dance With Me." In 1990, MC Hammer scored a massive hit with "U Can't Touch This," which consisted of his rap over the instrumental track of "Super Freak." That should have made for a career rebirth, but James was plagued by drug and legal problems that found him more frequently in court and in jail rather than in the recording studio. The majority of his legal woes behind him, James returned in 1997 with Urban Rapsody, which didn't yield any hits but was well accepted by critics. Rick James died of a heart attack on August 6, 2004, at his Los Angeles home. ~ William Ruhlmann

  • ORIGIN
    Buffalo, NY
  • GENRE
    R&B/Soul
  • BORN
    February 1, 1948

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