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Alice Cooper Goes to Hell

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iTunes Review

On his 1976 follow-up to Welcome to my Nightmare, Alice continues the narrative but goes all Dante on us in a comically absurd way, taking longtime producer Bob Ezrin and cowriter Dick Wagner with him. He’s the pre-eminent mirror star on the charging “Go to Hell,” condemning himself for havoc he's wrought upon the world. He’s a delusional narcissist on “I’m the Coolest,” revealing a Harry Nilsson–like wit and a sinister campfire croon that we knew had always lurked inside him. The striking ballad and album centerpiece “I Never Cry” is remarkable; it might be the first alcoholic’s confessional to top charts around the world. He’s all creepy sex in a hellish disco on “You Gotta Dance," and he’s a raise-the-dead infidel who rocks hard enough on “Guilty” and “Wish You Were Here” to satisfy followers of his early-’70s work. Still, hardcore fans cried sellout. In truth, the Coop was still all about innovation, evolving and testing limits—albeit with slicker production—long after the original group split up in 1974.

Customer Reviews

Not the "Mainstream"

I got this album in the seventies, and I liked it. Some of the songs are a bit strange, by Cooper standards, but good nonetheless. Fournier knew how to write some good tunes. I really loved "Give the Kid a Break", but it's not like any Cooper you're probably accustomed to.

Great Album

Except the name isn't just Goes to Hell The album name is actually "Alice Cooper Goes to Hell"

for the truly curious

this was the follow up to welcome to my nightmare,alice cooper goes to hell is supposed to be a concept album but its really out there, it spawned alice's first million selling single ''i never cry'' a soft ballad, but goes to hell rocked at times songs like ''go to hell and guilty'' do fine job at making the album a keeper but really this is for die hard alice cooper fans.


Born: February 4, 1948 in Detroit, MI

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Originally, there was a band called Alice Cooper led by a singer named Vincent Damon Furnier. Under his direction, Alice Cooper pioneered a grandly theatrical and violent brand of heavy metal that was designed to shock. Drawing equally from horror movies, vaudeville, heavy metal, and garage rock, the group created a stage show that featured electric chairs, guillotines, fake blood, and huge boa constrictors, all coordinated by the heavily made-up Furnier. By that time, Furnier had adopted the name...
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