Ratings and Reviews
This is an excellent rendition of God Rest Ye Merry Gentlemen. First Boston recording I’ve heard in a long time (pun not intended) that uses real drums. That to me is the one thing constantly taking away from otherwise high quality Boston recordings since Third Stage.
TOM SCHOLTZ PLEASE LISTEN!!!!
REAL DRUMS ARE AWESOME!!! This one song sounds 1000% Better than the crappy programmed drums you used on the new CD. Your new CD is going to be your lowest selling by far. REAL DRUMS can save Boston!!!! This song is what the new Boston CD SHOULD have sounded like!
Great Version with Real Drums!
It's nice to hear a Boston song with real drums. Too bad that new album doesn't have any.
The arena rock band behind one of the fastest-selling debut albums in history, Boston was essentially the vehicle of guitarist and studio wizard Tom Scholz, born March 10, 1947 in Toledo, Ohio. A rock fan throughout his teen years, he began writing songs while earning a master's degree at the Massachusetts Institute of Technology. After graduation, he began work for Polaroid, and set about constructing his own 12-track recording studio in the basement of his home, where Scholz and vocalist Brad Delp recorded demos that earned them a contract with Epic in 1975. Although some recording and overdubs were later done in Los Angeles, the 1976 release of Boston consisted largely of tapes recorded in Scholz's basement. (By then, the lineup had coalesced around Scholz, Delp, guitarist Barry Goudreau, bassist Fran Sheehan, and drummer John "Sib" Hashian.) Boston spawned three hit singles ("More Than a Feeling," "Long Time," and "Peace of Mind"), and shot immediately to the top of the charts, remaining the best-selling pop debut effort in history before it was supplanted by Whitney Houston's first album in 1986.
Despite the record's overwhelming success, Scholz spent over two years working on the follow-up, 1978's number one hit Don't Look Back; a perfectionist, he only then released the album because of intense label pressure for product. Dissatisfied with the results, he swore he'd produce the next album at his own pace; as a result, the chart-topping Third Stage did not appear until 1986, at which time only Scholz and Delp remained from the original lineup.
Scholz spent the next several years in the courtroom: eventually, he won a seven-year battle against Epic, which claimed Boston had reneged on its contract by taking so long between releases. When the band resurfaced again in 1994 with Walk On, Scholz was the lone remaining member; Delp and Goudreau had reunited in 1992 as RTZ, releasing the album Return to Zero. Unlike previous returns, Walk On was a commercial failure. Radio and MTV ignored any attempts at singles or videos, and the minimalist approach taken by the popular alternative artists of the era made the crystalline production and lengthy recording time seem anachronistic.
Taking another eight years to work on the next record, he targeted the Internet crowd first by releasing a single to www.MP3.com in the summer of 2002. The track became the site's number one download, and word of their new album spread quickly. (Delp's return to the group also helped matters.) Secondly, Scholz set his lyrical sights on political targets, going so far as to title the record Corporate America, as he emphasized his disdain for the system he had been a vital part of at one time. After releasing the record in the fall of that year, Boston embarked on a tour that took them into 2004. Around this time, Scholz began work on the next album using the same studio equipment the band had used since its inception. The work moved slowly and a shadow was cast over the project by the 2007 suicide of Delp, but the band's sixth album, Love Life & Hope, was released by Frontiers Records in late 2013. The album featured vocals by Delp and was something of a return to the classic Boston sound of the '70s.
- Boston, MA