22 Songs, 1 Hour, 16 Minutes

EDITORS’ NOTES

A symphonic experience as extravagant as the story itself, Max Steiner's landmark score to the cinematic masterpiece Gone with the Wind runs the gamut of human emotion. We feel pangs of poignancy when we hear the plaintive strings of "Reconstruction," and strains of sweetness and passion at the tender "Ashley and Scarlett." Listen closely, and you might even notice subtle references to Stephen Foster's traditional American tunes woven seamlessly into almost every track.

EDITORS’ NOTES

A symphonic experience as extravagant as the story itself, Max Steiner's landmark score to the cinematic masterpiece Gone with the Wind runs the gamut of human emotion. We feel pangs of poignancy when we hear the plaintive strings of "Reconstruction," and strains of sweetness and passion at the tender "Ashley and Scarlett." Listen closely, and you might even notice subtle references to Stephen Foster's traditional American tunes woven seamlessly into almost every track.

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