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Audio Day Dream

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Album Review

Paula Abdul notoriously labeled Blake Lewis as "the contemporary rebel," a seemingly nonsensical assignation that nevertheless had the ring of truth. Compared to everything else on that turgid sixth season of Idol, Blake was contemporary and a rebel. Unlike the obligatory soul throwback Melinda Doolittle, Lewis seemed versed in music made after his birth year, and compared to teen queen Jordin Sparks, he was happy to bend (but not break) the rules, beatboxing as often as he sang. It made for OK TV, pushing him to the forefront of a pack that gleaned its only personality through the skin of Antonella Barba and the hair of Sanjaya Malakar. Blake carried a tune better than those two, but not better than Melinda and Jordin. Where he trumped them was the fact that he seemed to have a sense of himself, a musical identity cobbled together from the scrap yard of '80s MTV — all learned via VH1 Classic and YouTube, naturally, as he was a toddler when the network launched — that nevertheless seemed fresh when put against the endless Motown versions and Celine Dion on American Idol, and helped justify Abdul's appellation, at least a little bit. What Blake had that the other contestants didn't was musical ideas that came from outside the confines of the show, which was enough to make him interesting on a weekly basis, and it was enough to suggest that he could possibly pull all his thoughts together on his inevitable studio album. That inevitable studio album — punningly titled Audio Day Dream, whose shorthand is ADD, a too-knowing acknowledgment of Lewis' scattershot attention span — ranges from the expected beatboxing and new wave fetishism to white-boy soul cribbed from Justin Timberlake and Maroon 5's Adam Levine, prissy schoolboy crooning pitched halfway between Keane and a neutered Morrissey, self-conscious digital effects, and a revamped "Puttin' on the Ritz" as learned from Taco, not Fred Astaire. All 16 tracks on Audio Day Dream fall into one of four categories: stabs at old-school hip-hop, new wave revivalism, shaky club/dance soul, or tremulous Brit crooning. He's a jack of many trades and tries to do everything — and as it has so much going on, ADD is surely more interesting than almost any other post-Idol effort from a finalist. Interesting as in, there's a whole bunch of stuff going on here.

Customer Reviews

Very Original, Almost all songs are great!

I'm surprised because I wasn't too happy with Jordin Sparks's album. Every song seemed a little bit boring to me, I like a few of them though. Blake's album, however, is very original and has some catchy tunes. I love almost every song! Thanks Blake! I recommend: Break Anotha Surrender Gots to Get Her Hate 2 Love Her What'cha Got 2 Lose? End of the World Human

Amazing debut!

I gotta say I wasn't sure what to expect from this album but now that I've heard it...I'm really impressed! Blake takes the theme of an 80s pop mixtape and RUNS with it...Audio Day Dream is the first album I've heard in a long while that really does flow from beginning to end. Standouts to me are the first single "Break Anotha", "Gots To Get Her" which puts a really cool spin on Puttin On the Ritz, "End of the World" and "1000 Miles" which are upbeat electro-ballads (sort of like coldplay, but not really ;) and "She's Makin Me Lose It" which is a totally awesome Prince-esque jam. Superfun quality pop, a really strong 80s vibe that's been updated to the 21st century, and plenty of energy. Lots of earcandy in the layers and little details in every single song. Great job by Blake, looking forward to lots of great music in the future from this kid! Pop *doesn't* have to be junk music after all!


it's unfortunate that many people won't appreciate an album such as this. everyone is so used to the "top 40" songs playing right now, with their typical hooks, choruses, and beats. blake takes top 40 to a new level, incorporating everything we knew about him into one 17-track album. he has electronica, pop, hip-hop, jazz, 80's...EVERYTHING! blake's goal was to revolutionize radio music and he's doing it with this type of album. this truly is an audio day dream for all that are willing to open their ears. my favorites are: HOW MANY WORDS: very bittersweet and very blake. HATE 2 LOVE HER: everyone has had this feeling before! very catchy and definitely second-single worthy. WITHOUT YOU: reminds you of his "somewhere only we know" performance on idol. simply beautiful. END OF THE WORLD: you just want to close your eyes and sing along to this song. i got butterflies just listening to this song. 1000 MILES: very pop and very catchy. I GOT U: a good final song. gives you hope, and you just KNOW this isn't the end of bshorty!


Born: July 21, 1981 in Bothell, WA

Genre: Pop

Years Active: '00s, '10s

Best known as the beatboxing contestant on season six of American Idol, Blake Lewis hails from Bothell, Washington. Lewis comes from a musical family -- his mother used to be in a rock band and continues to sing and play guitar -- and began singing himself at age five. He impressed Randy Jackson, Simon Cowell, and Paula Abdul at the Seattle auditions with his beatboxing and performance of Seal's "Crazy," and further wowed them at Hollywood week, where he performed with fellow contestants Rudy Cardenas...
Full Bio
Audio Day Dream, Blake Lewis
View in iTunes
  • $9.99
  • Genres: Pop, Music, Teen Pop
  • Released: Dec 04, 2007

Customer Ratings