17 Songs, 1 Hour 7 Minutes

EDITORS’ NOTES

Released during the tense final years of apartheid, Paul Simon's Graceland introduced the buoyant textures of South African township music to vast international audiences. Simon’s collaborative genius—which calls on Los Lobos, Zydeco legend Good Rockin’ Dopsie and Ladysmith Black Mambazo—invented a new musical language and earned a 1987 GRAMMY® for Album of the Year. The fractured narratives and emotionally fragile characters are unforgettable—whether it's the divorcé and his kid en route to Graceland, the unattainable girl with diamonds on the soles of her shoes or the soft-in-the-middle hero of “You Can Call Me Al".

EDITORS’ NOTES

Released during the tense final years of apartheid, Paul Simon's Graceland introduced the buoyant textures of South African township music to vast international audiences. Simon’s collaborative genius—which calls on Los Lobos, Zydeco legend Good Rockin’ Dopsie and Ladysmith Black Mambazo—invented a new musical language and earned a 1987 GRAMMY® for Album of the Year. The fractured narratives and emotionally fragile characters are unforgettable—whether it's the divorcé and his kid en route to Graceland, the unattainable girl with diamonds on the soles of her shoes or the soft-in-the-middle hero of “You Can Call Me Al".

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