16 Songs, 1 Hour, 11 Minutes

EDITORS’ NOTES

If you could create the sound of floating in outer space, it would probably resemble British composer Steven Price's score for the astronaut film Gravity. Each piece is built on long, suspended chords from chilly-sounding strings and synthesizers; in "Don't Let Go," the tension builds for 11 minutes. "Aningaaq" is a near-silent soundscape, with lightly echoed piano, that evokes the dislocation one might feel on an interplanetary trip. The only resolution comes on "Shenzou," which uses a drum machine to give a majestic, rising feel.

EDITORS’ NOTES

If you could create the sound of floating in outer space, it would probably resemble British composer Steven Price's score for the astronaut film Gravity. Each piece is built on long, suspended chords from chilly-sounding strings and synthesizers; in "Don't Let Go," the tension builds for 11 minutes. "Aningaaq" is a near-silent soundscape, with lightly echoed piano, that evokes the dislocation one might feel on an interplanetary trip. The only resolution comes on "Shenzou," which uses a drum machine to give a majestic, rising feel.

TITLE TIME PRICE
1:50 $1.29
4:24 $1.29
6:15 $1.29
3:43 $1.29
11:11 Album Only
1:57 $1.29
2:53 $1.29
2:57 $1.29
7:40 $1.29
3:07 $1.29
1:43 $1.29
5:08 $1.29
1:42 $1.29
6:28 $1.29
6:11 $1.29
4:35 $1.29

Customer Reviews

5 out of 5

301 Ratings

Gravity

Gabilondino,

In the silence of space, the perfect soundtrack can still be heard.

Perfect Score for the Movie

Millenial Falcon,

The perfect soundtrack for an equally amazing movie!

About Steven Price

Steven Price is a British film composer. He began his career as a music mixer and engineer in 1996, working mostly for television programs. In 2002 he was hired to be music editor on Peter Jackson’s second film in the Lord of the Rings trilogy, The Two Towers. He continued as music editor for The Return of the King in 2003, and by 2005 was at work on the film Batman Begins. He finished out the decade as a music editor and guitarist, until he was hired as the composer for Scott Pilgrim vs. the World in 2010. He also created innovative soundtracks for Attack the Block in 2011 and The World’s End in 2013, before achieving major success with his score for Gravity, also in 2013.

  • ORIGIN
    Nottingham, England
  • GENRE
    Soundtrack
  • BORN
    April 22, 1977

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