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Great Equatorial

David Bedford

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Reseña de álbum

David Bedford was originally commissioned to write Great Equatorial as part of the celebrations surrounding the renovation of the room containing the Great Equatorial Telescope at Greenwich Observatory, in London. Just ten minutes in length, his initial vision was subsequently expanded into six movements totaling a little over one hour, a vast and sweeping suite that defies ready categorization. The vastness and mystery of the universe, of course, were the inspirations behind Bedford's earlier "Star Clusters, Nebulae & Places in Devon." Musically, however, Great Equatorial steps far beyond those ambitions. Designed to be absorbed as opposed to simply listened to, the actual movements themselves are largely alike, built around many of the same musical components and themes. The differences between them, however, might be subtle but they are also extraordinarily effective — the aural equivalent, in fact, of focusing a telescope on a distant planet and then slowly bringing it into focus, so that what was once blurred and indistinct is now readily defined. It's an unforgettable journey.

Biografía

Nacido/a: London, England, 04 de agosto de 1937

Género: Rock

Años de actividad: '70s, '80s, '90s

Rock music comprised only a small corner of David Bedford's activities in music. Bedford was an avant-garde composer of some repute before he ever stepped into the rock arena, where he became associated with progressive/new age composer Mike Oldfield, as the conductor and orchestrator on several of his works. He also worked as a conductor and orchestrator with Elvis Costello, Roy Harper, a-ha, the Jesus and Mary Chain, Frankie Goes to Hollywood, and Madness, among other performers. He emerged as...
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Great Equatorial, David Bedford
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