A Second of Silence
The Knights & Eric Jacobsen
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||Gymnopédie I||The Knights & Eric Jacobsen||2:15||$0.99||View In iTunes|
||Company: I.||The Knights & Eric Jacobsen||2:46||$0.99||View In iTunes|
||Company: II.||The Knights & Eric Jacobsen||1:40||$0.99||View In iTunes|
||Company: III.||The Knights & Eric Jacobsen||1:46||$0.99||View In iTunes|
||Company: IV.||The Knights & Eric Jacobsen||2:11||$0.99||View In iTunes|
||Gretchen am Spinnrade, Op. 2, D. 118||The Knights & Eric Jacobsen||3:30||$0.99||View In iTunes|
||Symphony No. 8 in B Minor "Unfinished", D. 759: I. Allegro moderato||The Knights & Eric Jacobsen||13:12||Album Only||View In iTunes|
||Symphony No. 8 in B Minor "Unfinished", D. 759: II. Andante con moto||The Knights & Eric Jacobsen||8:44||$0.99||View In iTunes|
||Gymnopédie II||The Knights & Eric Jacobsen||2:53||$0.99||View In iTunes|
||Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio||The Knights & Eric Jacobsen||8:34||$0.99||View In iTunes|
||Symphony No. 3 in D Major, D. 200: II. Allegretto||The Knights & Eric Jacobsen||3:43||$0.99||View In iTunes|
||Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace||The Knights & Eric Jacobsen||3:34||$0.99||View In iTunes|
||Symphony No. 3 in D Major, D. 200: IV. Presto vivace||The Knights & Eric Jacobsen||6:02||$0.99||View In iTunes|
||Madame Press Died Last Week At Ninety||The Knights & Eric Jacobsen||3:37||$0.99||View In iTunes|
||Die Schöne Müllerin, Op. 25, S. 795: Des Baches Wiegenlied||The Knights & Eric Jacobsen||4:23||$0.99||View In iTunes|
|BookletDigital Booklet - A Second of Silence||The Knights & Eric Jacobsen||--||Album Only||View In iTunes|
Such an interesting album. Not just bits and pieces for no reason- this is a real voyage through centuries.
The Knights have given a fresh take of some well-known and obscure classical works. HQ audio, fearless playing, and an underlying sense of joy marks this album.
A Second of Silence
The Knights' Schubert is beautifully conceived and played. It combines a rare lightness and transparency of texture with fleet rhythmic incisiveness. The result is symphonic chamber music of the highest order. The remainder of the album, consisting of works by Satie, Glass, and Feldman, is approached and played with the same degree of idiomatic mastery as, and provides a fascinating foil to, the Schubert. In its programming and execution, the album itself is a genuine work of art. Don't miss this one!