15 Songs, 56 Minutes

EDITORS’ NOTES

Since Martin Sexton's prior studio outing Wonder Bar came out seven years before Seeds, some consider this a comeback. Fair enough, but also consider that upon meeting the right person, seven years can just fly by. In the bubbling and rootsy opener "Happy," Sexton sings of loving every minute that he spends with his soul-mate: The fellas are gonna have to understand/ And tip their hats to the man who scored. "Thought I Knew Ya" continues on the same sunny path with help from a musty old Wurlitzer pounding out soulful chords as Sexton croons about the fleeting flings endured before meeting his true love. The gospel-steeped piano ballad "Wild Angels" downshifts as Sexton recalls both Otis Redding and Van Morrison, emoting amorously about holding onto his woman during tumultuous times. The festival friendly cover of Billy Preston's "Will It Go Round In Circles" sounds like a Hootie & The Blowfish b-side, but "I'm Here" rebounds with some Beatlesque pomp and lyrics that further proclaim his undying devotion for that special someone. Sexton serenades his woman throughout, so maybe Seeds is more of a gift from the heart than a comeback album.

EDITORS’ NOTES

Since Martin Sexton's prior studio outing Wonder Bar came out seven years before Seeds, some consider this a comeback. Fair enough, but also consider that upon meeting the right person, seven years can just fly by. In the bubbling and rootsy opener "Happy," Sexton sings of loving every minute that he spends with his soul-mate: The fellas are gonna have to understand/ And tip their hats to the man who scored. "Thought I Knew Ya" continues on the same sunny path with help from a musty old Wurlitzer pounding out soulful chords as Sexton croons about the fleeting flings endured before meeting his true love. The gospel-steeped piano ballad "Wild Angels" downshifts as Sexton recalls both Otis Redding and Van Morrison, emoting amorously about holding onto his woman during tumultuous times. The festival friendly cover of Billy Preston's "Will It Go Round In Circles" sounds like a Hootie & The Blowfish b-side, but "I'm Here" rebounds with some Beatlesque pomp and lyrics that further proclaim his undying devotion for that special someone. Sexton serenades his woman throughout, so maybe Seeds is more of a gift from the heart than a comeback album.

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About Martin Sexton

Martin Sexton was one of the most talked-about arrivals on the "new folk" acoustic music scene. The guitarist, singer, and songwriter has an amazing vocal range and makes effective use of it on his recordings and in his live shows. Unlike so many other contemporary singer/songwriters, his vocal style can be described as truly soulful, combining the best qualities of singers like Van Morrison, Al Green, Aaron Neville, and Otis Redding.

Sexton, a self-taught guitarist and singer, was raised in a family of 14 and formed his first rock & roll band in eighth grade. In high school he was in a profusion of garage bands, playing the music of the Beatles, Janis Joplin, Jimi Hendrix, and Led Zeppelin. He left his home in Syracuse, New York -- and the rock & roll life -- in 1988 and headed for Boston, encouraged by what he'd heard about the coffeehouse scene in that city. Despite the ultra-competitive nature of the Boston scene, with too many folksingers and too few coffeehouses, Sexton quickly rose through the ranks. He began playing his brand of soul-filled folk music around Boston's open-mike nights and street corners in 1989.

In 1991 he released his own record, In the Journey, in cassette format, and much of the material on this and Black Sheep, his 1996 debut for Eastern Front Records, is autobiographical in nature, concerning his life on the road. Remarkably, Sexton sold 15,000 copies of his cassette-only album through the strength of his live shows and grueling tours around the U.S. In 1994, Sexton won the National Academy of Songwriters' Artist of the Year Award. By 1996, Sexton was sharing stages with Art Garfunkel, Jackson Browne, and John Hiatt on tours. Sexton subsequently signed a deal with Atlantic Records, releasing The American in 1998 and Wonder Bar in 2000. Sexton continued to tour, building a sizable following throughout the States.

After Wonder Bar, Sexton parted company with Atlantic Records and launched his own independent label, Kitchen Table Records, which allowed him greater freedom. The label's first release was the 2001 concert set Live Wide Open, followed in 2005 by a set of Christmas tunes, Camp Holiday. After releasing the ambitious studio album Seeds in 2007, Sexton hit the road again, and documented his solo acoustic shows with another live set, 2008's Solo. Sexton dipped into topical and political themes on 2010's Sugarcoating, and followed suit on the 2012 EP Fall Like Rain. The year 2014 ended on a sour note for Sexton, when his home in Saranac Lake in upstate New York was destroyed by a fire in late December, but he and his family escaped unharmed, and refusing to let the bad news weigh him down, Sexton released another solo album, Mixtape of the Open Road, in February 2015, followed, of course, by plenty of touring. ~ Richard Skelly

  • ORIGIN
    Syracuse, NY
  • BORN
    March 2, 1966

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