6 Songs, 31 Minutes

EDITORS’ NOTES

Bright and harmonious. Washington delivers his personal vision of jazz.

EDITORS’ NOTES

Bright and harmonious. Washington delivers his personal vision of jazz.

TITLE TIME
4:36
2:46
3:51
3:24
3:47
13:30

Customer Reviews

4.8 out of 5

19 Ratings

19 Ratings

🐐

Power mover BB.com,

Greatest jazz artist of our generation!!!

🎷 + 👨🏿 = 🎶

pacepilleo,

Uh Oh! Here we go! 🙌🏾

More please...

ToebeBush,

Can’t wait to hear this one. However, I was expecting at least a three or four hour release. Jus kidding’. This man has so much music in him it must get out! Release the Kracken!
Kamasi and crew are the most exciting musical discovery in years! I am still bonkers over the Epic! A four hour masterpiece of musical chaos, beauty, passion, and funky music! Miles and Coltrane would be proud of this new gen jazz master’s body of work.

About Kamasi Washington

Kamasi Washington didn't pick up a saxophone until he was 13 years old, but by that point, he'd already been playing several other instruments. That's when he found his calling. Within a couple years, he was the lead tenor saxophonist at Hamilton High School Music Academy in his native Los Angeles. After graduation, he attended UCLA to study ethnomusicology. While enrolled at UCLA, he recorded a self-titled album with Young Jazz Giants, a quartet he had formed with Cameron Graves and brothers Ronald Bruner, Jr. and Stephen "Thundercat" Bruner, released in 2004.

From that point on, Washington continually performed and recorded with an impressive variety of major artists across several genres, including Snoop Dogg, Raphael Saadiq, Gerald Wilson, McCoy Tyner, George Duke, and PJ Morton. He self-released a handful of his own albums from 2005 through 2008 while also performing and recording as one-third of Throttle Elevator Music. In 2014 alone, Washington demonstrated tremendous range with appearances on Broken Bells' After the Disco, Harvey Mason's Chameleon, Stanley Clarke's Up, and Flying Lotus' You're Dead!, among other albums that covered indie rock, contemporary and progressive jazz, and experimental electronic music.

The following year, Washington contributed to Kendrick Lamar's To Pimp a Butterfly and released The Epic on Flying Lotus' Brainfeeder label. An expansive triple album nearly three hours in duration, it involved the other three-fourths of Young Jazz Giants -- by then part of his larger collective, alternately known as the Next Step and West Coast Get Down -- and a string orchestra and choir conducted by Miguel Atwood-Ferguson. A critical and commercial success, The Epic landed at number three on Billboard's jazz chart. Washington toured the U.S., played dates in Europe and Japan, and continued session work with contributions to albums by Terrace Martin, Carlos Niño, John Legend, Run the Jewels, and Thundercat, all while continuing to tour. Washington debuted the six-song project at the Whitney Biennial in March along with a film by A.G. Rojas and artwork by Amani Washington. In early 2017, Washington premiered Harmony of Difference, an original six-movement suite, as part of the Whitney Biennial, and compiled that recording for a six-track, 13-minute EP -- his first original music since The Epic two years earlier. Issued in September, Harmony of Difference explored the philosophical possibilities of counterpoint. Composed as a suite, it contains five separate movements and a sixth, "Truth," as a finale, that includes tenets and themes from its predecessors. ~ Andy Kellman

  • ORIGIN
    Los Angeles, CA
  • BORN
    February 18, 1981

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