4 Songs, 13 Minutes

EDITORS’ NOTES

Interestingly, this release veers in a different direction from their celebrated and propulsive full-length debut, I Will Be. Mostly a solo effort by Dee Dee, she is joined by Sune Rose Wagner of the Raveonettes on guitar, and teams up again with the legendary Richard Gottehrer who also produced I Will Be and who co-wrote the classics “My Boyfriend’s Back,” “Sorrow,” and “I Want Candy.” Where the debut buried the vocals beneath a dirty and dense squall of noise, He Gets Me High puts Dee Dee’s fetching, dreamy voice up front so it can be heard with crystal clarity, a choice that accentuates the beauty and expressiveness of her singing, which is the highlight of these four glorious songs. “Wrong Feel Right” is fuzz-pop perfection complete with a surf rock drum beat and chiming guitars, “He Gets Me High” sets an infectious melody and catchy chorus against just the right amount of distortion, “Take Care of My Baby” is a hypnotic, echo-laded ballad, and the closer revs things back up with a brilliant and energetic cover of the Smith’s “There Is a Light That Never Goes Out.” The only complaint is that it is over too soon.

EDITORS’ NOTES

Interestingly, this release veers in a different direction from their celebrated and propulsive full-length debut, I Will Be. Mostly a solo effort by Dee Dee, she is joined by Sune Rose Wagner of the Raveonettes on guitar, and teams up again with the legendary Richard Gottehrer who also produced I Will Be and who co-wrote the classics “My Boyfriend’s Back,” “Sorrow,” and “I Want Candy.” Where the debut buried the vocals beneath a dirty and dense squall of noise, He Gets Me High puts Dee Dee’s fetching, dreamy voice up front so it can be heard with crystal clarity, a choice that accentuates the beauty and expressiveness of her singing, which is the highlight of these four glorious songs. “Wrong Feel Right” is fuzz-pop perfection complete with a surf rock drum beat and chiming guitars, “He Gets Me High” sets an infectious melody and catchy chorus against just the right amount of distortion, “Take Care of My Baby” is a hypnotic, echo-laded ballad, and the closer revs things back up with a brilliant and energetic cover of the Smith’s “There Is a Light That Never Goes Out.” The only complaint is that it is over too soon.

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About Dum Dum Girls

Since they emerged at a time when C-86-inspired acts like Vivian Girls and the Pains of Being Pure at Heart were in vogue, it's little wonder that California's Dum Dum Girls -- a group whose '60s-inflected lo-fi pop brings to mind acts like Black Tambourine and Dolly Mixture -- became something of a sensation on the indie circuit soon after the release of their first single. In 2008, lead singer Kristin Gundred (aka Dee Dee) began making solo recordings as Dum Dum Girls, deriving the name both from the Vaselines' album Dum-Dum and from the Iggy Pop song "Dum Dum Boys." Over the course of the next year, Dee Dee released a couple singles (a 7" single on Hozac, a four-way split single on Art Fag), a 12" EP (Yours Alone, released via Captured Tracks), and a compilation disc appearance (on Art Fag's Blissed Out cassette comp). Thanks to the high level of buzz surrounding Dee Dee (and, of course, the quality of the records), Sub Pop signed Dum Dum Girls in 2009.

Dum Dum Girls' first Sub Pop single, "Jail La La," was released in early 2010, with the debut album I Will Be following soon after. Both recordings were mostly done by Dee Dee at home (with some help from Nick Zinner and Crocodiles' Brandon Welchez) and then expertly produced in the studio by Richard Gottehrer, who had formerly worked with the Go-Go's and Blondie. Before the album's release, Dee Dee teamed up with guitarist Jules, bassist Bambi, and drummer Frankie Rose (formerly of like-minded groups Crystal Stilts and Vivian Girls) to form a live band. Rose left the band in June of 2010 and was replaced by a drummer named Sandra Vu, who was with the band when its fall tour of the U.S. was canceled due to the passing of Dee Dee's mother. After spending some time regrouping, the band began playing more shows as the year drew to a close.

In 2011, the He Gets Me High EP was released. Recorded just before her mother's death, the record was cut by Dee Dee without her band, and was produced again by Gottehrer with help from the Raveonettes' Sune Rose Wagner. On the personnel front, Bambi left the band in late 2011, making way for Malia James. A full-length sophomore album, Only in Dreams, appeared later that year. The album featured Dee Dee's bandmates for the first time and revolved around the pain of her mother's death. In the autumn of 2012, End of Daze, an EP consisting of tracks recorded just after the Only in Dreams sessions, plus songs recorded a year later, was released. The band's third full-length record, 2014's Too True, was once again produced by Gottehrer and Wagner, but this time Dee Dee played and sang everything herself (with some help from Wagner).

After she finished the touring cycle for the album, Dee Dee realized she was done being a Dum Dum Girl for the time being and started a new project. Aiming for a brighter, more synth pop and R&B-influenced sound, she adopted the name Kristin Kontrol and released her debut album, X-Communicate, for Sub Pop in May of 2016. ~ Margaret Reges

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