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Head Home

O'Death

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Album Review

Decades before the critics were crying: "Rock is dead!" they were telling everyone: "Folk music is dead." An odd statement, since anyone who knows anything about music knows that folk music — blues, field hollers, cowboy songs, ancient British and Scotch ballads — are the foundation of American music from rock to rap. Luckily, nobody told the boys in O'Death the news. Their take on old-timey music reinvents older folk styles for a new generation by dropping punk, grunge, swing, rock, metal and even jazz into their fractured arrangements. Their high-energy renditions may put off purists, but they're in keeping with the folk tradition and while their songs are all self composed, they tip their hat to the past with a winning blend of yesterday and today. Taking their name from Dock Boggs' most famous tune implies that they're not as irreverent about the music as their raucous presentation might suggest. The album kicks off with "Down to Rest," a combination of Appalachian dirge and Cab Calloway style strut. Greg Jamie's uncontained squall sounds like an alcohol fueled frenzy, while the bands stomping swing, particularly the work of Bob Pycior on fiddle, shows they're not messing around. "Allie Mae Reynolds" is a mash-up of bluegrass punk and jug band music with galloping washboard percussion, punk bass and frenzied fiddling, with Jamie's vocals again multiplying the insanity factor. "Busted Old Church" is a spiritual as played by a roomful of pagans keeping rhythm on junkyard percussion instruments. "Ground Stump" is a stomping rave-up with another uncontained vocal from Jamie stitched together with slower, pastoral moments graced by Pycior's fiddle. "Jesus Look Down," a plea for forgiveness for unnamed sins, complements Jamie's woeful vocals with slow ringing acoustic guitar, ghostly electric slide work and moaning fiddle, while "The Crab Apple Switch," a brief instrumental, features ragged banjo picking and odd percussion accents. O'Death makes a mighty noise using mostly acoustic instruments — Jesse Newman's electric bass and some electric guitar are in evidence — putting out the kind of energy many amplified bands can only dream of. Along with Jamie's boisterous, barely rational vocals, they create a sound that's unique in any world — folk, rock, bluegrass or otherwise. ~ j. poet, Rovi

Customer Reviews

It's so good you guys!

When I went to see Les Claypool in Omaha the last thing I wanted to do was sit through another opening band....until I heard the opening band. O'Death has an overwhelming stage presence and their sound floored me (and clearly the rest of the audience because their CDs flew off the merch stand immediately). I would have paid to see them alone. Definitely a must listen to if you're looking for something new!

New, Old, and everything in between

I found these guys on TakeAwayShows.com and was blown away by there performance. Definetly a must have for any fans of Indie, Folk, Country, and actually, any genre!

Unique, foot stompin, amazing-ness

if youre sick of the same old same old and want to listen to some good, different, knee-slappin music check these guys out. Theyre amazingly talented

Biography

Formed: 2003 in Purchase, NY

Genre: Alternative

Years Active: '00s, '10s

The boys in O'Death come from all over the Eastern Seaboard, but got together in 2003 while they were attending the State University of New York in Purchase. They use folk styles — primarily bluegrass and old-time music — for a foundation, but punk, grunge, swing, rock, metal, and jazz figure heavily in their arrangements. The original members were drummer David Rogers-Berry and singer/guitarist Greg Jamie. Rogers-Berry approached Jamie after he finished a solo songwriter gig and suggested...
Full Bio
Head Home, O'Death
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