10 Songs, 52 Minutes

EDITORS’ NOTES

The first real album from trip-hop pioneers Massive Attack since 2003, Heligoland is a beautiful work that departs slightly from what was once the true “Massive Attack sound.” Traces of ‘90s trip-hop can’t help but find their way into these songs, but the music here feels more evolved, its well-lived parts more intricately woven. Guests include TV On the Radio's Tunde Adebimpe, Damon Albarn, Hope Sandoval, and Elbow's Guy Garvey, along with semi-regular Horace Andy, and that lineup alone speaks volumes about the intended tone of the collection. Moving from the lonely cinematic pans of “Pray for Rain,” through the downtempo, Martina Topley-Bird-sung “Babel,” and into the playfully brooding “Splitting the Atom,” Heligoland marries MA’s recent affinity for film- soundtrack work with their own, organically inventive music. As back in the day, bongos, pianos and moody guitar work are present, but somber blasts of brass, stuttering electronics and haunting vintage organs on tracks such as “Rush Minute,” “Girl I Love You,” and “Atlas Air” brands Heligoland as a vehicle for some of their best work ever.

EDITORS’ NOTES

The first real album from trip-hop pioneers Massive Attack since 2003, Heligoland is a beautiful work that departs slightly from what was once the true “Massive Attack sound.” Traces of ‘90s trip-hop can’t help but find their way into these songs, but the music here feels more evolved, its well-lived parts more intricately woven. Guests include TV On the Radio's Tunde Adebimpe, Damon Albarn, Hope Sandoval, and Elbow's Guy Garvey, along with semi-regular Horace Andy, and that lineup alone speaks volumes about the intended tone of the collection. Moving from the lonely cinematic pans of “Pray for Rain,” through the downtempo, Martina Topley-Bird-sung “Babel,” and into the playfully brooding “Splitting the Atom,” Heligoland marries MA’s recent affinity for film- soundtrack work with their own, organically inventive music. As back in the day, bongos, pianos and moody guitar work are present, but somber blasts of brass, stuttering electronics and haunting vintage organs on tracks such as “Rush Minute,” “Girl I Love You,” and “Atlas Air” brands Heligoland as a vehicle for some of their best work ever.

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About Massive Attack

One of the most innovative and influential groups of their generation, Massive Attack's hypnotic sound -- a darkly sensual and cinematic fusion of hip-hop rhythms, soulful melodies, dub grooves, and choice samples -- informed decades worth of acclaimed dance and rock artists including Portishead, Beth Orton, Radiohead, TV on the Radio, and Tricky, a Massive Attack alumnus.

Their history dates back to 1983 and the formation of the Wild Bunch, one of the earliest and most successful sound system/DJ collectives to arrive on the U.K. music scene. Renowned for their seamless integration of a wide range of musical styles, from punk to reggae to R&B, the group's parties quickly became can't-miss events for the Bristol club crowd, and at the peak of their popularity they drew crowds so enormous that the local live music scene essentially ground to a halt.

When the Wild Bunch folded during the mid-'80s, two of its members -- Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall -- teamed with local graffiti artist 3D (born Robert del Naja) to form Massive Attack in 1987. Another Wild Bunch alum, Nellee Hooper, split his time between the new group and his other project, Soul II Soul. The group's first single, "Daydreaming," appeared in 1990, featuring the sultry vocals of singer Shara Nelson and raps by Tricky, another one-time Wild Bunch collaborator. The classic "Unfinished Sympathy" followed, as did another compelling effort, "Safe from Harm." Finally, in 1991 Massive Attack issued their debut LP, Blue Lines. While by no means a huge commercial success, the record was met with major critical praise, and was dubbed an instant classic in many quarters. Nelson, featured on many of the album's most memorable tracks, exited for a solo career soon after, and the group then changed its name to simply "Massive" to avoid any implication of approval for the U.N.'s policy toward Iraq.

After a three-year layoff, Massive Attack -- their full name now properly reinstated -- resurfaced with Protection. Again working with Hooper and Tricky, they also brought into the fold vocalist Nicolette, as well as Everything But the Girl's Tracey Thorn. Three singles -- "Karmacoma," "Sly," and the title track -- were released from the LP, which was also remixed in its entirety by Mad Professor and issued as No Protection. A lengthy tour followed, and over the next several years, Massive Attack's solo work was primarily confined to remixes for artists including Garbage. They also worked with Madonna on a track for a Marvin Gaye tribute album. Finally, to promote their appearance at the annual Glastonbury music festival, the group issued the EP Risingson during the summer of 1997.

The third full-length Massive Attack effort, Mezzanine, appeared in mid-1998. In addition to reggae singer Horace Andy making his third consecutive LP appearance with the group, vocal chores were handled by the Cocteau Twins' Elizabeth Fraser and newcomer Sara Jay. Mezzanine became a hit among critics, clubs, and the college crowds, spinning successful singles such as "Teardrop" and "Inertia Creeps." The album topped the U.K. chart and crossed into the Top 60 of the Billboard 200 in the U.S. A tour of America and Europe followed, but Vowles left the band after disagreeing with the artistic direction of Mezzanine. Del Naja and Marshall continued as a duo, later working with the likes of David Bowie and the Dandy Warhols, but Marshall later took a brief leave of absence to raise his family; producer Neil Davidge took up the slack.

In February 2003, after a five-year wait, Massive Attack released their fourth album, 100th Window, including collaborations with mainstay Horace Andy as well as Sinéad O'Connor. Danny the Dog, released in 2004, marked the group's entry into film score work and, perhaps unsurprisingly, often sounded much more like incidental background music than a typical Massive Attack release. From there, Del Naja and Davidge scored a handful of other films -- In Prison My Whole Life, Battle in Seattle, and Trouble the Water, for which they earned an Oscar nomination -- but their work was credited to their real names or the pseudonym 100 Suns rather than Massive Attack. The fifth Massive Attack album, Heligoland, released in 2010, featured collaborations with Horace Andy, TV on the Radio's Tunde Adebimpe, Elbow's Guy Garvey, and Martina Topley-Bird. Burial remixed the album's "Paradise Circus" and the unreleased "Four Walls" for a limited 12" release in 2011. The group returned in 2016 with a four-track EP, Ritual Spirit, on which they were joined by Tricky, Roots Manuva, and Young Fathers. Del Naja and Heligoland contributor Euan Dickinson were credited as co-producers. ~ Jason Ankeny

ORIGIN
Bristol, England
FORMED
1987

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