12 Songs

EDITORS’ NOTES

Joe Pernice has one of the most comforting voices in all of contemporary music — it closely resembles the Zombies’ Colin Blunstone (“Time of the Season”) for its smoky sense of wonder — but Pernice’s songs are clearly birthed in a world of their own. An MFA in Creative Writing hasn’t gone to waste for this Massachusetts songwriter. “PCH One” offers up “Every answer’s buried in a song,” but there’s no guarantee anyone will figure out the questions among these enigmatic puzzles not meant to be quickly or easily understood. Instead, it’s best to let the torrent of words rush past, absorb their gorgeous tonalities and longing melodies, and take a phrase for the humor it implies. Is there any better way to explain one’s less than desirable actions than “In my defense, I was half my customary 48 per cent”? While Pernice puts a premium on his lyrics, he hasn’t sacrificed the music to do so. Anyone familiar with his previous output – Scud Mountain Boys, Big Tobacco – will recognize these naturalistic settings of piano, guitar and drums and settle in for the warm night ahead. 

EDITORS’ NOTES

Joe Pernice has one of the most comforting voices in all of contemporary music — it closely resembles the Zombies’ Colin Blunstone (“Time of the Season”) for its smoky sense of wonder — but Pernice’s songs are clearly birthed in a world of their own. An MFA in Creative Writing hasn’t gone to waste for this Massachusetts songwriter. “PCH One” offers up “Every answer’s buried in a song,” but there’s no guarantee anyone will figure out the questions among these enigmatic puzzles not meant to be quickly or easily understood. Instead, it’s best to let the torrent of words rush past, absorb their gorgeous tonalities and longing melodies, and take a phrase for the humor it implies. Is there any better way to explain one’s less than desirable actions than “In my defense, I was half my customary 48 per cent”? While Pernice puts a premium on his lyrics, he hasn’t sacrificed the music to do so. Anyone familiar with his previous output – Scud Mountain Boys, Big Tobacco – will recognize these naturalistic settings of piano, guitar and drums and settle in for the warm night ahead. 

TITLE TIME
3:07
3:35
3:22
4:49
3:18
2:50
2:22
3:35
2:51
2:52
3:13
4:57

About Pernice Brothers

Formed after the 1997 breakup of singer/songwriter Joe Pernice's alt-country group the Scud Mountain Boys, the Pernice Brothers did an about-face from the lush '70s country sound of their final album, Massachusetts, and came up with the lush orchestrated pop of 1998's Overcome By Happiness. Recorded for Sub Pop, the album featured Joe's brother Bob (the lone holdover from the Scuds), guitarist Peyton Pinkerton from the New Radiant Storm Kings, bassist/producer Thom Monahan, drummer Aaron Sperske, and pianist/producer Mike Deming, and was a 12-song revelation to fans of smart and arranged modern pop music. There were almost no traces of country left in Pernice's sound; instead influences like Brian Wilson, the Left Banke, and Todd Rundgren seemed to be his main inspiration.

Following the release of its debut album, the band went into a self-imposed hiatus as Joe Pernice released a record in early 2000 on Sub Pop under the name Chappaquiddick Skyline. The record featured personnel made up of the Pernice Brothers' touring band: bassist Monahan, guitarist Pinkerton, new keyboardist Laura Stein, and drummer Mike Belitsky (both of whom were members of the Nova Scotia group Jale). The record was more sparse and downcast-sounding than the Pernice Brothers' debut. Both that record and Pernice's solo record from late 2000, Big Tobacco (which also featured Monahan, Pinkerton, and Stein), were, according to Pernice, made up of songs he considered not good enough to be released under the Pernice Brothers banner.

He finally came up with enough songs he deemed worthy of release by the band, and in 2001 the less orchestrated but still wonderful World Won't End was released to a ringing chorus of justified critical praise. The album featured the core band of both Pernice brothers, Pinkerton, Monahan, Stein, and Belitsky, and was released on Ashmont Records, a label that Pernice and business partner Joyce Linehan formed after Pernice parted ways somewhat acrimoniously with Sub Pop and found no other label that wanted to sign the band or that he wanted to sign with.

The band set off on a worldwide tour and returned to the studio in 2002 to craft their next release. Released in 2003, Yours, Mine & Ours had a less lush and arranged sound than the previous two records but showed no signs of artistic decline, as it was a strong batch of smart pop tunes by one of the finest bands anywhere in the early 2000s. Following the release of the album Belitsky and Stein left the group and were replaced by drummer Pat Berkery (also of the Bigger Lovers) and keyboardist James Walbourne (who played with Peter Bruntell). Nobody's Watching/Nobody's Listening, a live album/DVD set recorded in during their 2004 tour, was released in early 2005.

Meanwhile the group (which at this point consisted of Pernice, Monahan, Pinkerton, Berkery, and Walbourne) was recording their fifth album in Brooklyn, Massachusetts, Toronto, and Los Angeles. Titled Discover a Lovelier You, the album was released in June 2005 on Ashmont Records. 2006's Live a Little was the band's first record since Overcome by Happiness to be produced by Michael Deming and accordingly featured the return of that album's horns and strings, resulting in a sound that successfully melded the ornate approach of the group's debut and the more recent (relatively) stripped-down pop/rock sound. The group (now made up of Pernice, Walbourne and drummer Ric Menck with help from the returning Bob Pernice) successfully balanced both worlds on 2010's Goodbye, Killer. ~ Tim Sendra

  • ORIGIN
    Dorchester, MA
  • FORMED
    1998

Top Songs by Pernice Brothers

Top Albums by Pernice Brothers

Listeners Also Played