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Iron City

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Reseña de álbum

Recorded for Muse Records in 1967 as Grant Green was on an extended recording hiatus — it was his only record between 1965's His Majesty, King Funk, his only album for Verve, and 1969's Carryin' On, his return to Blue Note — Iron City actually captures the guitarist in fine form, jamming on six blues and R&B numbers with his longtime cohorts, organist Big John Patton and drummer Ben Dixon. The trio members had long ago perfected their interplay, and they just cook on Iron City, working a hot groove on each song. Even the slow blues "Motherless Child" has a distinct swing in its backbeat, but most of the album finds the trio tearing through uptempo grooves with a vengeance. Green's playing is a bit busier than normal and he solos far more often than Patton, who lays back through most of the album, providing infectious vamps and lead lines. The two styles mesh perfectly with Dixon's deft drumming, resulting in a fine, overlooked date that showcases some of Green's hottest, bluesiest playing.


Nacido/a: St. Louis, MO, 06 de junio de 1935

Género: Jazz

Años de actividad: '50s, '60s, '70s

A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar. He combined an extensive foundation in R&B with a mastery of bebop and simplicity that put expressiveness ahead of technical expertise. Green was a superb blues interpreter, and while his later material was predominantly blues and R&B, he was also a wondrous ballad and standards soloist. He was a particular admirer of Charlie Parker, and his phrasing often reflected it. Grant Green...
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Iron City, Grant Green
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