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High Noon

Jerrod Niemann

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iTunes Editors’ Notes

With High Noon, Jerrod Niemann achieves a balancing act that eludes many contemporary Nashville singer/songwriters. His music falls gracefully between the pop-infused anthems atop the country charts and low-key, boot-stomping traditionalism. Niemann tempers the poppy gloss of tunes like “Come On, Come On” and “Buzz Back Girl” with touches of ’70s countrypolitan and old-school twang (“Day Drinkin’”). When he turns out a slow-swinging, blues-inflected burner in “The Real Thing,” he scores the album’s most soulful, infectious melody. But High Noon’s most amiable quality is Niemann’s whip-smart one-liners. “I’m no Shakespeare or Kristofferson,” he teases on “Lucky #7.” Maybe he’s not, but the detailed wordplay and shrewd insight throughout the album suggest that he's inspired by both.

Customer Reviews

Ain't even worth one star

Way to turn into a pop artist. Disappointed in you.

Terrible

Auto tune has no place in country music. I wish I lived in Texas, at least they still have a few real country acts left

Hating on Donkey?

Let's all be honest here: "Donkey" is the new "Save A Horse". There is no doubt. It is also obvious that this song is not to be a serious song, it is meant to be fun, to let you let loose,m and obviously there is a double meaning. How about me stop being so uptight and have a sense of humor? Personally I'm digging this side of Jerrod.

Biography

Born: July 24, 1979 in Harper, KS

Genre: Country

Years Active: '90s, '00s, '10s

Country singer and songwriter Jerrod Niemann has penned songs for Garth Brooks, Neal McCoy, Jamey Johnson, and Zona Jones, among others, and has built a strong fan base as a performer of his own material as well. Born in Harper, Kansas (but raised in nearby Liberal, Kansas), Niemann fell early under the spell of country legends like Lefty Frizzell, George Strait, and Keith Whitley, and soon learned to accompany himself on guitar while entering various talent contests. By the age of ten he was writing...
Full Bio
High Noon, Jerrod Niemann
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