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History of the Units: The Early Years 1977-1983


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Album Review

The liner notes to History of the Units: The Early Years: 1977-1983 begin with “Fu*k the guitars” and end with “a synth band that kicks ass!” Those sentiments — along with the music, of course — tell listeners most of what they need to know about this San Francisco collision of new wave band and performance art. However, those notes (which are excerpts of “The Units Traning Manual,” credited to a “Dr. Tex Nology”) provide even more context for their synth punk and its cultural breeding ground. The Units’ core members Scott Ryser and Rachel Webber were inspired not only by the thriving performance art scene in San Francisco in the late ‘70s, but by the city’s legendary counterculture figures like Ken Kesey. They found different ways to express their anger and subvert norms than the hippies did, however: They embraced technology and repetition, painted their equipment gray to prevent brand worship, and made model guitars to smash at their shows. History of the Units: The Early Years: 1977-1983 ends up being as much of time capsule of the San Francisco scene as it is a retrospective of the band’s music, opening with “Dirk Dirksen,” a snippet of the city’s “godfather of punk” introducing the Units at a concert, which is followed by the tongue-in-cheek “The Mission Is Bitchin’” and a dedication to synth punk pioneer Damian Ramsey. Musically, the output collected here — which includes songs from the Units’ first album, Digital Stimulation, and several singles — is tantalizingly hard to pin down. The band rocks as hard, if not harder, as any group with electrified strings on “Cannibals” and “High Pressure Days,” which sport a punk edge even if the only guitars that were smashed were replicas. Meanwhile, interludes and instrumentals such as “Contemporary Emotions,” “Zombo” (the comp’s oldest track, from 1977), and “Cowboy” show the Units had just as much skill at abstract pieces and nod to prog rock, while “Red” and “East West 2”’s use of spoken word and found sounds underscore just how influential performance art was on them. The first official reissue of the band’s work, History of the Units: The Early Years: 1977-1983 is a testament to how exciting and diverse these new wave pioneers still sound.

Customer Reviews

I have been waiting for this.

For years I searched all the record bins, hoping to find my own copy of these songs. But, until now, I have to work from the homemade transferred cd-r of the cassette, from the vinyl!

Epic Records tracks?

Wonder where the Epic-CBS Records EP tracks (New Way To Move, 1983) could be...? Tracks recorded in San Fran as well as Rockfield Studios ,Wales, with Maestro Bill Nelson producing. Let's hope someone finds the Masters and re-releases the following: The Right Man / A Girl Like You / New Way to Move / Your Face / More Alike / More More Alike...


Formed: 1978 in San Francisco, CA

Genre: Alternative

Years Active: '70s, '80s

Part performance art piece, part synth pop/post-punk/new wave innovators, the Units practically ruled the San Francisco scene in the late '70s and early '80s before flirting with unlikely mainstream success in 1983. The Units built swirling prog rock-esque keyboards and frenetic electronic blips around politically and sociologically charged chants which echoed elements of what bands like Devo and Gang of Four were discovering elsewhere. The band mainly consisted of Rachel Webber and Scott Ryser,...
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History of the Units: The Early Years 1977-1983, Units
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