12 Songs, 52 Minutes

EDITORS’ NOTES

Tat, hat, and nose-ring specialists LA Guns rose famously out of '80s Hollywood, and their founder-guitarist Tracii Guns even did time in an early incarnation of Guns N’ Roses. This 1991 album (the band’s third, named after a ’70s drinking club that included Harry Nilsson and Alice Cooper) is noteworthy because it defines a fleeting moment in L.A. rock history, just like Guns N’ Roses did in 1987, like X did in 1980, and Buffalo Springfield did in 1966. The riff-heavy songs sound like Sunset Strip’s waning days, and personal apocalyptics (“Over the Edge,” “Crystal Eyes,” “Kiss My Love Goodbye”) mostly replace the band’s heavy metal party ride of the Reagan years. Polished by producer Michael James Jackson (Kiss, The Animals), the album’s darker undercurrents feel like the end of something—the band, the city of its origin, or hard rock in general. Interestingly, the quintet brought in hitmaking songwriter Jim Valance (Aerosmith, Bryan Adams, Rod Stewart), and the results were pretty near-perfect on the suitably titled ballad “It’s Over Now,” which traces the Faces-like steps of the band’s earlier (Top 40) hit “The Ballad of Jayne.”

EDITORS’ NOTES

Tat, hat, and nose-ring specialists LA Guns rose famously out of '80s Hollywood, and their founder-guitarist Tracii Guns even did time in an early incarnation of Guns N’ Roses. This 1991 album (the band’s third, named after a ’70s drinking club that included Harry Nilsson and Alice Cooper) is noteworthy because it defines a fleeting moment in L.A. rock history, just like Guns N’ Roses did in 1987, like X did in 1980, and Buffalo Springfield did in 1966. The riff-heavy songs sound like Sunset Strip’s waning days, and personal apocalyptics (“Over the Edge,” “Crystal Eyes,” “Kiss My Love Goodbye”) mostly replace the band’s heavy metal party ride of the Reagan years. Polished by producer Michael James Jackson (Kiss, The Animals), the album’s darker undercurrents feel like the end of something—the band, the city of its origin, or hard rock in general. Interestingly, the quintet brought in hitmaking songwriter Jim Valance (Aerosmith, Bryan Adams, Rod Stewart), and the results were pretty near-perfect on the suitably titled ballad “It’s Over Now,” which traces the Faces-like steps of the band’s earlier (Top 40) hit “The Ballad of Jayne.”

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About L.A. Guns

Although veterans of the Sunset Strip's hair metal scene, L.A. Guns are also known for being one of the two bands (along with Hollywood Rose) that merged in the mid-'80s to form Guns N' Roses. Formed in 1983, the group's first lineup included Tracii Guns and vocalist Axl Rose, the latter of whom eventually left to form his own group with childhood friend Izzy Stradlin. Rose and Guns decided to combine their two bands in 1985, thus creating the earliest incarnation of Guns N' Roses. Tracii Guns handed lead guitar duties for several months before being replaced by Slash; suddenly finding himself without a band, he bounced back by rejoining his old bandmates in L.A. Guns, who'd continued playing shows in his absence under the leadership of vocalist Paul Black.

With Guns back in the lineup and Black writing most of the songs, the band landed a deal with Polygram Records and made plans to record a debut album. Black was replaced by former Girl frontman Phil Lewis before L.A. Guns could enter the studio, though, and the rest of the lineup shifted as well, eventually solidifying around Guns, Lewis, drummer Nickey Alexander, bassist Kelly Nickels, and guitarist Mick Cripps.

In 1988, L.A. Guns released their self-titled debut album, featuring a raunchy, Aerosmith-influenced sound and a number of songs that had been written by ex-member Paul Black. Former W.A.S.P. drummer Steve Riley joined the lineup during the tour that followed, and L.A. Guns quickly returned to the studio to bang out a second album, Cocked and Loaded. Released in 1989 and propelled by the Top 40 single "The Ballad of Jayne," Cocked and Loaded went gold, giving the band a minor stake in the hair metal explosion that Guns N' Roses had helped spark. Released two years later, Hollywood Vampires managed to hold the band's audience's attention by peaking at number 42. Nevertheless, the guys laid low for four years, waiting for grunge to fade away.

When L.A. Guns released their fourth album, Vicious Circle, in early 1995, they retained a core group of followers but failed to capture the mainstream's attention. It was their weakest-selling album to date and set off a chain of lineup shifts, with Johnny Crypt taking over bass-playing duties, Chris Van Dahl assuming the frontman role, and Guns serving as the band's sole guitarist. Polygram dropped the band in the wake of Vicious Circle's slow sales, and 1996's American Hardcore introduced the band's new lineup but fared no better.

Greatest Hits & Black Beauties, a collection of re-recorded favorites and new material, followed in 1999 after a succession of new vocalists that included Ralph Saenz (on 1998's Wasted EP) and Love/Hate singer Jizzy Pearl. That same summer, the group released a Gilby Clarke-produced collection of new material, entitled Shrinking Violet, with Pearl serving as lead vocalist. For 2001's Man in the Moon (again produced by Clarke), Phil Lewis and Mick Cripps returned to the lineup, joining Guns, Riley, former Pretty Boy Floyd member Keff Ratcliffe and new bassist Muddy. ~ Stephen Thomas Erlewine & Andrew Leahey

  • ORIGIN
    Los Angeles, CA
  • GENRE
    Rock
  • FORMED
    1983

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