Bachelor No. 2 (Or, the Last Remains of the Dodo) by Aimee Mann on Apple Music

13 Songs

EDITORS’ NOTES

After releasing the excellent but understated Whatever in 1995, Boston-based songwriter Aimee Mann decamped to Los Angeles, vowing, at least for a time, to have nothing more to do with the music industry. When a new Aimee Mann effort, Bachelor No. 2 Or, the Last Remains of the Dodo, finally appeared in 2000, Mann made sure it came out on her terms, initially self-releasing it and selling it through her website, before its eventual success let her secure a favorable distribution deal. The album itself is decidedly more complex than the spare folk-pop that characterized Mann’s earlier work. This is, after all, a Los Angeles album, and though Mann’s melancholic reflections on failed relationships and emotional desperation may not be brimming with West Coast optimism, they're draped in rich production flourishes courtesy of producer Jon Brion. Brion’s lush but never overindulgent production adds a stunning Beatlesque sheen to Bachelor No. 2, transforming songs like “How Am I Different” from introverted confessionals into perfectly calibrated evocations of the golden age of Los Angeles studio pop.

EDITORS’ NOTES

After releasing the excellent but understated Whatever in 1995, Boston-based songwriter Aimee Mann decamped to Los Angeles, vowing, at least for a time, to have nothing more to do with the music industry. When a new Aimee Mann effort, Bachelor No. 2 Or, the Last Remains of the Dodo, finally appeared in 2000, Mann made sure it came out on her terms, initially self-releasing it and selling it through her website, before its eventual success let her secure a favorable distribution deal. The album itself is decidedly more complex than the spare folk-pop that characterized Mann’s earlier work. This is, after all, a Los Angeles album, and though Mann’s melancholic reflections on failed relationships and emotional desperation may not be brimming with West Coast optimism, they're draped in rich production flourishes courtesy of producer Jon Brion. Brion’s lush but never overindulgent production adds a stunning Beatlesque sheen to Bachelor No. 2, transforming songs like “How Am I Different” from introverted confessionals into perfectly calibrated evocations of the golden age of Los Angeles studio pop.

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About Aimee Mann

During the '80s, Aimee Mann led the post-new wave pop group 'Til Tuesday. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than 'Til Tuesday's albums, and received uniformly positive reviews upon its release in the summer of 1993. However, the album was just a small hit, spending only seven weeks on the American charts, where it peaked at 127. Nevertheless, Whatever rejuvenated her career -- after its release, critics were praising her songwriting, as were peers like Elvis Costello, Difford & Tilbrook, and Andy Partridge.

Early in 1995, Mann had a modest hit with "That's Just What You Are," a song included on the soundtrack to the television series Melrose Place. Following the success of the single, Mann was set to release her second solo album in the spring of 1995, but her record label, Imago, filed for bankruptcy before its release. She signed a contract with Reprise Records after Imago went under, but Imago prevented her from releasing any records. For most of 1995, Mann battled Imago in an attempt to free herself from the label, eventually winning her independence at the end of the year. After her dispute with Imago was settled, she signed with DGC Records. Mann's second album, I'm with Stupid, was released in England in the late fall of 1995 and in January of 1996 in America. Again, it was greeted with positive reviews yet weak sales.

Mann's career got a kick-start in early 2000, however, when she released her soundtrack for the critically acclaimed film Magnolia; the song "Save Me" was later nominated for an Academy Award. Originally available only at live dates, the solo Bachelor No. 2 received national release in the spring. In the summer of 2002, Mann returned to the forefront with the self-released Lost in Space. Late 2004 saw the release of Live at St. Ann's Warehouse, a CD/DVD package recorded during her summer tour. It was followed in 2006 by the critically acclaimed Forgotten Arm, a concept album built around the return from Vietnam of a drug-addicted boxer. Mann released a collection of Christmas songs called One More Drifter in the Snow in 2006. @#%&! Smilers followed in 2008.

Mann spent the next few years working on adapting The Forgotten Arm into a musical, a project that was ultimately abandoned. She remained in the spotlight through semi-regular concerts and a memorable cameo on the IFC comedy series Portlandia before finally returning in the fall of 2012 with Charmer, her first album in four years. In 2013, Mann started performing with Ted Leo in a project that was eventually named Both; the duo released an album, also called Both, in 2014. Following that, Mann turned her attention to her ninth solo album, recording the deliberately slow and sad Mental Illness with producer Paul Bryan. The album appeared in March 2017. ~ Stephen Thomas Erlewine

  • ORIGIN
    Richmond, VA
  • BORN
    Sep 8, 1960

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