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HQ Live (Special Edition)

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Customer Reviews

The downfall of Incubus witnessed in this setlist

Pretty good setlist for the first half, but the new stuff is terrible and hes trying to over-sing even the original songs and ruining them. I'm extremely dissapointed with the "reinvented" Incubus and hope that Brandon can deflate some of his ego enough to release at least one more good album, or half an album, or single even...

Something for everyone.

I've never been this excited about a live album ever. Nice mixture of songs from most eras and reminds me of why I love Incubus. I've come to terms that most pre-S.C.I.E.N.C.E. material is going to stay in the past, unless you spend 200 bucks to get the box set with a couple of songs from that era on there. Anyway, I was pleasantly surprised to not hear a bunch of loud obnoxious fans overpowering the music with their screams, which was nice considering most live albums seems to be that way. If you have ever loved Incubus at some point of their existence I suggest getting this set. It'll remind you that while they might be evolving, experimenting or whatever you want to call their last two albums, the same band is still inside and able to play the songs that made you love them in the first place.


I'm glad Incubus isnt still making nu-metal type music and are always producing different sounding music. I do wish the newer songs rocked a bit more but people need to get over SCIENCE and Fungus, good albums, but that's like 13 years ago.


Formed: 1991 in Calabasas, CA

Genre: Rock

Years Active: '90s, '00s, '10s

Incubus became one of the most popular alt-metal bands of the new millennium, setting themselves apart from a crowded field with a tireless touring ethic and a broad musical palette. Formed in 1991 in the San Fernando Valley suburb of Calabasas, California, the band's early lineup was comprised of tenth-grade classmates Brandon Boyd (vocals, percussion), Mike Einziger (guitar), Alex Katunich (aka Dirk Lance; bass), and José Pasillas (drums). Their early funk-metal sound was heavily influenced by...
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