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The Hundred In the Hands (Bonus Track Version)

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Album Review

Based on the Hundred in the Hands' debut EP for Warp, This Desert, the band could have gone in two different directions for its first full-length. The duo could have gone deeper into the experimental leanings shown on some songs, or the sleek disco-pop displayed on others. For their self-titled debut, they chose the latter; Jason Friedman and Eleanore Everdell worked with pop mega-producer Richard X, among others, which explains the album’s sleeker, slicker feel, while louder guitars, the occasional live drums, and more aggressive synths add a sharper edge. This serves the Hundred in the Hands’ singles well, adding muscle to the Bloc Party-like riff of “Dressed in Dresden” and extra bite to “Young Aren’t Young”'s dreamy disco-pop. Everdell's voice is still pristinely beautiful — especially on “Lovesick (Once Again)”'s massed harmonies and “This Day Is Made”'s ghostly choruses. The Hundred in the Hands still sound most convincing on songs about emptiness: “Pigeons” and “Dead Endings” let Everdell be an ice princess crooning about vacant spaces, late nights, and early mornings over frosty synths and chugging guitars.

Customer Reviews

pretty cool beats!

GREAT driving music.....

Great new band! :D

I'm so happy I found this new group. Every song has it's own vibe to it & it's all very groovy.

great album even better live

I heard these guys on public radio in Juneau, Alaska (random). They have a great sound and I was able to catch them at a live show in Portland, Oregon. They are great! Catchy beats, great guitar player and a beautiful voice that makes you want to dance while putting a smile on your face. It's just good music. Do yourself a favor and buy this album and watch them live if you get the chance. ELEANORE, will you mary me!?


Formed: Brooklyn, NY

Genre: Alternative

Years Active: '00s, '10s

Named after the phrase the Lakota Nation gave to the Fetterman Battle/Massacre of 1866 in Wyoming -- in which Crazy Horse led his warriors to a victory that resulted in the death of 100 white soldiers -- the Hundred in the Hands fuses synth pop with post-punk and dream pop elements, making for a sound that’s equally danceable and dreamy. The Brooklyn-based duo of Jason Friedman and Eleanore Everdell balance their duties with Friedman handling guitars and beats and Everdell providing vocals and keyboards....
Full Bio
The Hundred In the Hands (Bonus Track Version), The Hundred In the Hands
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Customer Ratings