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Here & Gone

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Album Review

With the release of his searingly soulful, rootsy, and groovy Decca debut, Here & Gone, David Sanborn became the second legendary saxman — after Maceo Parker and Roots and Grooves — to pay homage to the ever-popular genius of Ray Charles in 2008. Sanborn approaches the Genius in a novel and not completely obvious way, however, tapping into the fruitful symbiotic relationship between Ray Charles and one of Sanborn's chief sax influences, Hank Crawford — who was Charles' saxman and arranger in the '50s and early '60s. Three of the nine tracks pay searing homage (complete with attractive old school all-star vocals) to the Crawford-Charles vibe as originally captured on Charles' seminal 1960 release Genius + Soul = Jazz: the simmering, blues- and brass-inflected "I'm Gonna Move to the Outskirts of Town," featuring a coolly pensive vocal by Eric Clapton; the similarly vibing "I've Got News for You," with a delightfully playful Sam Moore; and the haunting, slow-scorching instrumental ballad "Basin Street Blues." Sanborn dug into Charles' next album, The Genius Sings the Blues, for the swinging seduction of "I Believe It to My Soul," a powerful showcase for the otherworldly soul transcendence of Joss Stone. Another way Sanborn invokes the Genius is by acoustically covering "Brother Ray," a Marcus Miller-penned tribute gem the saxman first recorded on 1999's Inside. It fits the theme here perfectly and has Derek Trucks' smiling and crying guitar work fronting Ricky Peterson's shimmering Hammond B-3 and those prominent snazzy horns. Sanborn then pays more direct tribute to Crawford with a bustling, jazzy twist on Crawford's own "Stoney Lonesome." Not pure jazz, pure blues, or pure R&B/pop, Here & Gone nonetheless is a solid and entertaining primer on the swirl of influences — also including David "Fathead" Newman, King Curtis, and a sea of Chicago blues legends who frequented St. Louis — that gelled to eventually make Sanborn one of the most imitated saxmen of his generation. As far as musical autobiographies go, these nine tracks tell tales every Sanborn, blues, and soul fan will be regaled by for hours.

Customer Reviews

Here & Gone

Grittier than expected. You can always tell a Sanborn piece by just two notes, ala the solo on 'Brasil' & M. Transfer, 'So You Say.' Loved his work with Joe Beck, and Wayne Shorter's 'Infant Eyes.' Too long w/the rap of a smooth jazz guy. Recommend.

Here and Gone

So happy to hear my favorite sax man again! Fantastic song selection with the added bonus of great vocalist that accompany him on 4 tracks (well worth the price for those alone)! My favorite would have to be the song "I Believe to My Soul" with Joss Stone. Great to hear an old fave like "Basin Street Blues" played by one of the masters of our time. Great job David! Russ, Columbus OH

Encore/More Please

There's Nothing Like a Powerful Jazzy/Blues Sax with A Sassy series of guest artists. How can you go wrong with the likes of Eric Clapton, Derek Trucks & Joss Stone.... This long awaited DS release is HERE & GONE! & I Believe In Soul / Brother Ray / I've Got News For You / David is taking us to 'The Ouskirts of Town & back home / My oh My! Now even though I love it / I'll buy it & I'll play it forever.... I find myself wondering???? Why oh Why in this day & age would anyone make a 42 minute CD? I mean come on / That's an EP by today's standards. But / I figure the legend in him compelled him to stick to his old LP vinyl standards. & thus the title, I guess... This / though / is why I rate "Here & Gone" 4 stars instead of the well deserved 5 star rating. I'd still go for it. it's a real solid 42 minutes. Thanks David.

Biography

Born: July 30, 1945 in Tampa, FL

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

David Sanborn is a Grammy-winning saxophonist, composer and arranger. A pioneer of contemporary jazz, he is also a prolific session man in pop, R&B, blues, funk, and jazz. His solos have graced records by popular artists as diverse as Stevie Wonder, David Bowie, Todd Rundgren,...
Full Bio