12 Songs, 44 Minutes

EDITORS’ NOTES

Merrill Garbus pairs weighty lyrics with rich electronic rhythms.

Mastered for iTunes

EDITORS’ NOTES

Merrill Garbus pairs weighty lyrics with rich electronic rhythms.

Mastered for iTunes
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3:43
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Customer Reviews

4.4 out of 5

13 Ratings

13 Ratings

FIrst cut out Look At Yr Hands is good.

Rhyno X

Same cool African influenced Hi-Life bass playing. Slightly fuzzy tone and all over the neck of the bass but locked down on the groove. The big change I hear is Garbus & Co getting away from the lo-fi and growing/progressing the sound. Thumpy kick drum and seriously fat, snappy snare. Like you'd hear on a track by Prince or that new Sheila E LP. So stretching out and not rehashing their past. I like a band that wants to move the sonics into for them similar but unfamiliar territory. Few bands have the guts to get outta their comfort zone and they fade into irrelavancy. Not Tune-Yards. Looking forward to what the rest of this Long Player sounds like when it drrrrrops 1/19/18. Big Flan. Big flan.

Can't believe Meryl keeps getting better

LalaLovesMusic

Breathtaking, fun, cool, Afro inspired grooves that will have you dancing with the reckless abandon and freedom of a child. I will keep this album playing on repeat for weeks.

Tune-Yards Celebrate Music & Share w/ Us

Zban7

Everytime I listen to Tune-Yards, I feel like I am invited to Celebrate Music & have fun!! - They are so talented and artistic in what they create. A breathe of fresh air in a space often recycled an minimally exercised. TY expands our soul, mind and body.

About Tune-Yards

Beginning as the lo-fi experimental folk project of Merrill Garbus, tUnE-yArDs fuses indie-pop and global elements into uniquely vibrant music. Garbus began writing and performing under the tUnE-yArDs moniker in 2006, using a digital voice recorder and shareware mixing software to assemble her patchwork of found sounds, field recordings, ukulele, unusual percussion, and soulful vocals. It took Garbus two years to craft her debut album, Bird-Brains, which she offered as a pay-what-you-want download on the tUnE-yArDs website. Thanks to frequent touring with artists like Thao and positive buzz from music blogs, Garbus sold over $1,000 worth of copies of the album. In spring 2009, Marriage Records released the album on vinyl; that summer 4AD reissued it in a special screen-printed version before releasing a widely distributed CD version of Bird-Brains that fall, coinciding with a tour opening for the Dirty Projectors. For 2011's W H O K I L L, Garbus added bassist Nate Brenner to the fold and ventured into a professional studio for a more polished but still wide-ranging sound. The album earned widespread critical acclaim and topped The Village Voice's annual Pazz and Jop poll of music critics. Early in 2013, Garbus returned with tUnE-yArDs as Yoko, a single that saw her covering and remixing two of of Yoko Ono's songs to benefit the Rockaway Waterfront Alliance, one of the charities helping those affected by Hurricane Sandy. When she began work on the third tUnE-yArDs album, Garbus changed her approach -- a trip to Haiti provided inspiration -- while collaborations with producers Malay and John Hill -- better known for their work with Big Boi and M.I.A., among others -- gave 2014's Nikki Nack an even more eclectic and accessible feel. Prior to the release of tUnE-yArDs' fourth album, Garbus had a weekly DJ set at an Oakland, California bar and curated C.L.A.W., a Red Bull Radio show featuring music from female-identifying artists. To record 2018's I Can Feel You Creep Into My Private Life, she and Brenner -- now an official member of the band -- shared production duties, streamlining their music while tackling complex issues in the lyrics. ~ Heather Phares

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