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Reseña de álbum

Teaming together Dizzy Gillespie and Roy Eldridge should result in some classic music, but by 1975 Eldridge (although still a fierce competitor) was past his prime and Gillespie was starting to fade. The material performed for this LP is just not inspiring, a few overly played standards and blues. Despite some good efforts by Gillespie and Eldridge, pianist Oscar Peterson easily emerges as the most impressive soloist; better to acquire the magnificent Gillespie-Eldridge collaborations of the 1950s instead.

Biografía

Nacido/a: Cheraw, SC, 21 de octubre de 1917

Género: Jazz

Años de actividad: '30s, '40s, '50s, '60s, '70s, '80s, '90s

Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis' emergence in the 1970s that Dizzy's style was successfully recreated. Somehow, Gillespie could make any "wrong" note fit, and harmonically he was ahead of everyone in the 1940s, including Charlie Parker. Unlike Bird, Dizzy was...
Biografía completa