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Catching Rays On Giant

Alphaville

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Album Review

Alphaville's 2010 comeback album sets the time at defiance, playing as if the last two decades never existed, but the band's return to its prime form is so flawless the record sounds almost timeless. Thirteen years since their last commercial studio album, they pick up where synth pop left off: midtempo beats impossible not to tap to, romantic and nervous keyboard textures that take that space ambience of Kraftwerk and Tangerine Dream and put it to work, and dramatic vocals with a weepy edge, like Erasure is still the hottest new thing in town. This is supposed to sound plastic, but it doesn't, the hooks are too good, the melodies too convincing, and the mood is pinned down perfectly, as if the band spent all the time since 1997's Salvation working full-time to polish their stuff (though, as Axl Rose demonstrated, that's not necessarily a good thing). Besides, good dance-pop music hasn't really changed much since Alphaville's heyday, and there's since been plenty of synth pop aficionados keeping the flame alive and making Catching Rays on Giant relevant, but even if the style had been buried and forgotten after "Forever Young," this record would still shine through simply on the strength of its songwriting. Only on slower songs does it show that the band is no bunch of bright-eyed youngsters anymore; there are plenty of ballads, and Alphaville come across tired on those. But they also sound content, as if after a hard day's good work, they have the right to rest on their laurels. Of European pop heroes of the ‘80s, only a-ha have so far showed such longevity and the ability to mature without losing their best qualities, but Catching Rays on Giant adds another group to that singular list.

Customer Reviews

Alphaville (Awesome Work)

Simple Extraordinary, a journey of styles, music textures,energetic songs,an excellent song writing,This Album have it all,five stars no doubt.

What a great album!

This does not disappoint if you're a Alphaville fan or just love good synth/dance pop! Sure it has its moments of "earnest/cheesy pomp" but if you've been listening to Marian Gold all these years and pay attention to his great lyrics then you accept it as genuinely him! I would say their last batch of songs (the Crazyshow boxset from 2000) had so many new good songs and ballads that I almost have to say overall this album doesn't quite match that release. (I never understood why they didn't release many of those songs as a double album) Anyway the version of "Carry your Flag" here is much better and more polished than the Crazyshow version, but I prefer the original version of "Miracle Healing" to this one which sadly seems too over the top. BUT this album has a more synth sound that makes it go nicely with "Salvation" (1996) which still might be hard to beat. Besides the obvious good tracks like "song for no one", I die..." and "The Deep" "Phantoms" is an amazing, euphoric track with uplifting synths, don't pass it by!

Biography

Formed: 1983 in Münster, Germany

Genre: Pop

Years Active: '80s, '90s, '00s, '10s

German synth pop group Alphaville enjoyed major success in the United States with their early hits "Forever Young" and "Big in Japan," and went on to a lasting career in Europe, South America, and Asia. Alphaville were formed by vocalist and lyricist Marian Gold and keyboard player Bernhard Lloyd, both of whom were members of the Nelson Community, a multimedia art collective based in Berlin. Gold and Lloyd were part of a short-lived band called Chinchilla Green (other members went on to form the...
Full Bio
Catching Rays On Giant, Alphaville
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