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I Got What It Takes

Koko Taylor

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iTunes Review

Yes, she does have what it takes - a howling voice big enough to stop a stampede, a generosity that projects through her music, and a genuine sense of blues history that allows her to pick worn tunes like Jimmy Reed's "Big Boss Man" and the Ruth Brown hit "Mama He Treats Your Daughter Mean" and turn them into fresh party fodder. Taylor moved from Chess Records to the Alligator label for this 1975 recording, and she brought a great band with her. Led by guitarist Mighty Joe Young, they put percolating primal funk behind Taylor for her own "Voodoo Woman" and slam home the shuffle "Trying to Make a Living." There's even a little country, a genre Taylor listened to on the radio when she was growing up in Memphis, via Web Pierce's "Honky Tonk Song." These days Taylor doesn't perform very often, but this is what her five-nights-a-week Chicago club sets must have sounded like 30 years ago.

Customer Reviews

Blues at its belting best!

You can't go wrong with this artist or this album. Whether you are wading into the blues genre for the first time, KoKo for the first time, or just want something different than what is on the radio--this is a great place to start. The songs are catchy but this is the real deal blues. Buy the whole thing, sit back and visit with friends, relax with a glass of wine, or clean the kitchen--you will not be disappointed!

Biography

Born: September 28, 1928 in Memphis, TN

Genre: Blues

Years Active: '60s, '70s, '80s, '90s, '00s

Accurately dubbed "the Queen of Chicago blues" (and sometimes just the blues in general), Koko Taylor helped keep the tradition of big-voiced, brassy female blues belters alive, recasting the spirits of early legends like Bessie Smith, Ma Rainey, Big Mama Thornton, and Memphis Minnie for the modern age. Taylor's rough, raw vocals were perfect for the swaggering new electrified era of the blues, and her massive hit "Wang Dang Doodle" served notice that male dominance in the blues wasn't as exclusive...
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I Got What It Takes, Koko Taylor
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