20 Songs, 54 Minutes

EDITORS’ NOTES

Jim Ed Brown possessed a fine baritone voice and an unerring instinct for carrying a song. Yet for all his considerable talents, the man is best known for one number, the late-night jukebox favorite “Pop a Top” which, with its eminently hummable chorus and lovelorn lyrics, succinctly and eloquently captured the lonely comforts of a sad song and a bottle of beer. Of course, Jim Ed Brown’s career runs a bit deeper than “Pop a Top””, and the sides featured on The Essential Jim Ed Brown contain many fine examples of well worn, effortlessly graceful country pop. All of the expected topics — faithless women, strong liquor, and lonely barrooms — are covered by tunes like “You Can Have Her”, “Bottle, Bottle” and “Broad-Minded Man.” Only Jim Ed Brown’s very earliest sides such as the doo-wop inflected “The Three Bells” deviate from this basic but enjoyable country-pop template. Even though nothing here approaches the heart-stopping brilliance of “Pop a Top” this collection does much to bolster the reputation of a skilled country singer who deserves to be saved from one-hit wonder purgatory.

EDITORS’ NOTES

Jim Ed Brown possessed a fine baritone voice and an unerring instinct for carrying a song. Yet for all his considerable talents, the man is best known for one number, the late-night jukebox favorite “Pop a Top” which, with its eminently hummable chorus and lovelorn lyrics, succinctly and eloquently captured the lonely comforts of a sad song and a bottle of beer. Of course, Jim Ed Brown’s career runs a bit deeper than “Pop a Top””, and the sides featured on The Essential Jim Ed Brown contain many fine examples of well worn, effortlessly graceful country pop. All of the expected topics — faithless women, strong liquor, and lonely barrooms — are covered by tunes like “You Can Have Her”, “Bottle, Bottle” and “Broad-Minded Man.” Only Jim Ed Brown’s very earliest sides such as the doo-wop inflected “The Three Bells” deviate from this basic but enjoyable country-pop template. Even though nothing here approaches the heart-stopping brilliance of “Pop a Top” this collection does much to bolster the reputation of a skilled country singer who deserves to be saved from one-hit wonder purgatory.

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2:43
2:59
2:18
2:53
2:39
2:15
2:51
2:20
2:50
2:43
2:44
3:06
2:34
2:14
2:32
2:31
3:09
3:13
2:37
3:27

About Jim Ed Brown & The Browns

Jim Ed Brown came to fame as a member of the '50s vocal group the Browns, where he was the band's lead male vocalist. In 1965, when the group was still together, he embarked on a solo career that would eventually eclipse the success of the Browns.

Brown and his older sister, Maxine, began performing while he was still in high school. In 1954, the duo signed a contract with Fabor, releasing five singles on the label. Later that year, their sister Bonnie joined the duo and they became the Browns. From 1956 until 1967, the Browns were signed to RCA Records, where they had a number of moderately successful hit singles, highlighted by the 1959 number one "The Three Bells."

Brown began his solo career in 1965, two years before the Browns disbanded. Initially, he didn't have much success and just scraped the bottom of the country Top 40. Once the Browns disbanded, Brown began to have more substantial hits, beginning with the number 18 single "You Can Have Her," which was a cover of the Roy Hamilton hit. That was followed by the beer-drinking anthem "Pop a Top," which climbed to number three. Although his next single, "Bottle, Bottle," reached number 13, Brown didn't have any major hits for the rest of the '60s.

As his chart performance stagnated in 1968, he formed a backing group called the Gems and began a residency at the Sahara Tahoe's Juniper Lounge. In 1969, he hosted the syndicated television show The Country Place, which ran until 1970.

As The Country Place was ending its run, Brown had his first major hit since "Pop a Top" with the number four single "Morning." Again, he wasn't able to immediately follow "Morning" with another Top Ten hit, but he began charting more frequently. In 1973, he had two Top Ten hits, "Southern Loving" and "Sometime Sunshine," which were followed by the Top Ten "It's That Time of Night" in early 1974.

Jim Ed Brown had his greatest success in the late '70s, when he regularly performed duets with Helen Cornelius. They had six Top Ten hits between 1976 and 1980, including their debut single, "I Don't Want to Have to Marry You," which went to number one in 1976. During this time, he had some solo hits, but only two of them broke the Top 40. Brown and Cornelius ended their partnership in 1981, following the number 13 hit "Don't Bother to Knock."

After the breakup of his duo with Helen Cornelius, Jim Ed Brown pretty much retired from recording. He made the occasional appearance on The Grand Ole Opry and he sometimes reunited with Cornelius. Brown also hosted TV game shows and talent contests throughout the '80s. Toward the end of the decade, he opened the Jim Ed Brown Theater near Opryland in Nashville, Tennessee, where he performed regularly for a number of years. He died of cancer on June 11, 2015 at the age of 81. ~ Stephen Thomas Erlewine

  • ORIGIN
    Sparkman, AR
  • GENRE
    Country
  • BORN
    March 1, 1934

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