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Iaora Tahiti

Mouse On Mars

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Album Review

More upbeat and with far greater detail than the debut, Iaora Tahiti proves Jan St. Werner and Andi Toma haven't stood still. The pair's fondness for all things lo-fi follows them here, but just as evident is a depth and punch lacking in their earlier material. Jungle-style programming pops up on the first single, "Bib," as well as elements of dub, funk, industrial, film soundtracks, and musique concrète.

Customer Reviews

There's nothing sour about these krauts

Mouse on Mars delivered their first absolutely essential electronica album with this gem. "Iaora Tahiti" contains all the bleeps, boops and swaggles expected in electronic music, but it's arranged in an upbeat, hook-heavy fashion that incorporates influences as far and wide as dub and industrial. It's also good to hear the lo-fi warmth of analog used throughout. A truly awe-inspiring work that shouldn't be missed my electronica fans, but should also appeal to audiences interested in complex, lo-fi masterpieces. A definite must buy.


In the beginning there was mouse on mars ...fact


Formed: 1993 in Düsseldorf, Germany

Genre: Electronic

Years Active: '90s, '00s, '10s

Dabbling in complex, heavily hybridized forms of everything from ambient, techno, and dub to rock, jazz, and jungle, German post-techno duo Mouse on Mars was the combined effort of Andi Toma and Jan St. Werner (of Köln and Düsseldorf, respectively). Mouse on Mars formed in 1993, reportedly when Werner and Toma met either at a death metal concert or a health food store. Working from Werner's studio, the pair fused an admiration for the early experiments of Krautrock outfits like Can, Neu!, Kluster,...
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Iaora Tahiti, Mouse On Mars
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