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Mystery Girl

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Album Review

Roy Orbison's comeback started in 1986, when David Lynch used "In Dreams" for a pivotal sequence in his masterwork Blue Velvet. So mesmerizing was Dean Stockwell's pantomime of the 1963 hit that Orbison soon became in demand. He re-recorded his hits for a collection naturally called In Dreams, he gave a star-studded concert called Black & White Night, and then he began work with ELO leader Jeff Lynne on a comeback album. The duo tabled the album to join the supergroup the Traveling Wilburys, a collaboration with Tom Petty, George Harrison, and Bob Dylan that turned into a surprise smash in 1988. Once that record began its run up the charts, Lynne and Orbison completed the album that became Mystery Girl, but the record didn't come out until February 1989, a few months after Roy's tragic death. His passing colored the reception of the record, helping turn it into a genuine hit — it peaked at five on Billboard's 200 and two in the U.K. and went platinum in both countries — and while his death may have helped boost sales, it's likely Mystery Girl would've been a success anyway. Orbison, unlike any of his '60s peers, was an actual hot property at the end of the '80s, and he surrounded himself with collaborators who cared enough to showcase him at his best. Lynne is the best known of these and his contributions are strong, although perhaps a bit too redolent of the Baroque pop that became his trademark at the turn of the '80s: they're big, bright, and bold, slathered in harmonies and guitars, their over-production obscuring the songs' simple charms. "You Got It," the hit from the record, perfectly captures this characteristic, but so do the other Lynne contributions "A Love So Beautiful" and "California Blue," the latter in particular a very nice evocation of Roy's early-'60s balladry. "In the Real World," a song co-written by Will Jennings and co-produced by Heartbreaker Mike Campbell along with Orbison and his wife Barbara, is in the same vein, acting as an explicit sequel to "In Dreams," while "Windsurfer" touches upon a California pop Roy rarely attempted, and "The Only One," co-written by his son Wesley, evokes a nice southern soul groove. The two showy collaborations with U2 ("She's a Mystery to Me") and Elvis Costello ("The Comedians") garnered headlines at the time but are a shade florid — Costello's melodrama edges out Bono & the Edge, because it respects pacing — but T-Bone Burnett's "(All I Can Do Is) Dream You" is the real surprise, a nifty resuscitation of Roy's early rockabilly sides for Sun. The fact that all involved found a way to get a bit of swing into this attractive, overwrought pop illustrates just how handsome the whole endeavor is: it's designed as a graceful coda to a legendary career and, amazingly enough, it succeeds.

Customer Reviews

Happy 72nd Birthday Roy!

The late Roy Orbison would be 72 years old today (April 23, 2008.) His recorded legacy is long and significant; most people know Oh, Pretty Woman, Crying, Blue Bayou and other songs that he wrote or co–wrote. Mystery Girl was his comeback album as a solo artist. It was released in February 1989, following Roy's untimely death in December 1988. It is a magnificent album, with nary a weak track. You Got It reached the Top 10 on Billboard as a single; the album itself reached the Top 10 on Billboard. Although all the songs are Orbison style, check out A Love So Beautiful, Mystery Girl and Careless Heart, in particular. The voice soars as the drama builds in the music – a style Roy was known for in the early 60's when he had hit after hit. Yes, this album compares most favorably with the Big O's best days at Monument Records. It is highly recommended!!

Roy's best

I find this album to be Roy's best. Jeff Lynne's production is impecable as always and the songs are all great. "You Got It" is a big hit, everyone knows. "She's a Mystery to Me" was composed by Bono and The Edge, from U2 and is a fantastic ballad. "The Comedians", despite being labeled "live version" sounds to me like the same studio cut from the original album, and it's a great song written by Elvis Costello. "(All I Can Do Is) Dream You" was inexplicably replaced by a live version here. "Windsurfer" features a great slide guitar, reminds me of George Harrison. "Careless Heart" is a beautiful song which used to close the album, but this iTunes release features a bonus 11th track. Highly recommended.

"She's a mystery girl"

The story of how "She's a Mystery to Me" was written is amazing. You should check out the video on YouTube of how Bono and Roy Orbison wrote the song together.... it really is amazing. Overall, this CD is a good one, including great songs like "California Blue", "The Comedians", and the famous "You Got It". Some of Roy Orbison's final works....


Born: April 23, 1936 in Vernon, TX

Genre: Rock

Years Active: '50s, '60s, '70s, '80s

Although he shared the same rockabilly roots as Carl Perkins, Johnny Cash, and Elvis Presley, Roy Orbison went on to pioneer an entirely different brand of country/pop-based rock & roll in the early '60s. What he lacked in charisma and photogenic looks, Orbison made up for in spades with his quavering operatic voice and melodramatic narratives of unrequited love and yearning. In the process, he established rock & roll archetypes of the underdog and the hopelessly romantic loser. These were not only...
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