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Album Review

In the United States, the two best things that can happen to a foreign language film are (1) distribution by Miramax Films and (2) Oscar nominations. As a skillfully made specimen of Oscar's favorite species of foreign film — the nostalgic tale about an innocent young boy growing up against the backdrop of a turbulent period in his nation's history — Guiseppe Tornatore's Malena had no difficulty securing a deal with Miramax. But when Italy chose The Hundred Steps as its candidate for the 2000 foreign film Oscar, Malena's chances for Academy acknowledgment seemed to have disappeared. Miramax, refusing to accept defeat, launched a ferociously aggressive campaign on behalf of the film's scorist, Ennio Morricone. The studio spared no expense, even resorting to "poor Ennio" radio commercials that decried the composer's failure to win a scoring Oscar for any of his 300 films. The ploy worked, and it is doubtful that Morricone would have been nominated without Miramax's marketing genius. But it is equally doubtful that the marketing team would have made the sale if its product were any less meritorious. Morricone's work is rich and multi-faceted, representing musically the numerous reactions of the film's characters to the enigmatic central figure, the beautiful and silent widow Malena. The score, like the movie, is by turns playful, romantic, malevolent, and brutal. It uses traditional Italian instrumentation, gorgeous symphonic string arrangements, carnivalesque out-of-tune pianos, and resonant viola and clarinet solos. Much of the music is just as impressive on Virgin's soundtrack album as it is in the theater, but the CD suffers slightly from some odd sequencing choices. The two snippets of the score's beautiful main theme, "Malena," are clumped together in the first six of the CD's 18 tracks. As a result, the last two thirds are not as listenable as the beginning and the album's conclusion is strangely anticlimactic. But for film music lovers, the album is worth buying for those two tracks alone. Tender, reverent, immaculately structured, and without a hint of sentimentality, "Malena" is clearly the work of a master film composer in peak form.

Customer Reviews

Ennio is a separate class

Ennio Morricone's music is very recognizable but never dull. On the contrary: he's a master striking the right unique emotions in almost any film which is accompanied by his music. Malena is a masterpiece of film music, full of melancholic drama of a happy youth passed. If you're into Ennio's music and Giuseppe Tornatore's work (the director of the movie and of Cinema Paradiso, another gem) than you'll be taken away to an Italy which is still there if you know how to look for it.

Malena: Something I Didn't Expect To Find

I have always loved Morricone's soundtracks, but I prefer something with haunting melodies and a sense of nostalgia like Cinema Paradiso or Once Upon A Time In America or The Mission, so this particular one is something I personally didn't enjoy. It show's the composer's genius. It's just not one I would have purchased, if I had taken a "trial listen" through the tracks. Not everyone is looking for the same thing. My recommendation is to listen to it before making the purchase.

Beautiful

Very good music. I only like four of the song but that's just my taste

Biography

Born: November 10, 1928 in Rome, Italy

Genre: Soundtrack

Years Active: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Ennio Morricone is probably the most famous film composer of the 20th century. He is also one of the most prolific composers working in any medium. No exact figure is available, but he's scored several hundred films over the past several decades, perhaps as many as 500. While these have been in almost every imaginable musical style (and for almost every imaginable kind of movie), he is most identified with the "spaghetti Western" style of soundtracks, which he pioneered when providing the musical...
Full Bio

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