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Every Breath You Take the Classics (2003 Stereo Remastered Version)

The Police

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Album Review

Every Breath You Take: The Classics is an updated version of the 1986 collection Every Breath You Take: The Singles. The only differences in this collection are the addition of the "New Classic Rock Mix" of "Message in a Bottle," different artwork, and a slightly reworded title. Cosmetic changes aside, this remains a solid representation of a unique pop trio whose studio output was a too-short five albums. Although frontman/bassist Sting wrote practically all the material, Andy Summers' and Stewart Copeland's contributions leave no doubt that this was a three-man effort. "Walking on the Moon" features Summers' reggae shadings and Copeland's precise percussive nuances, and their instrumental prowess turns a nonsensical title such as "De Do Do Do, De Da Da Da" into a quirky pop nugget. As for Sting's songwriting, most of it revolved around relationships and the different turns they take. Phases such as rapture ("Every Little Thing She Does Is Magic"), manipulation ("Wrapped Around Your Finger," "Every Breath You Take"), and desperation ("Can't Stand Losing You") are all deftly touched on by Gordon Sumner.

Customer Reviews

Every song is a hit!

I loved all of these songs since i was 3 yrs old. They're musically beautiful.

Touches my heart

This Album brings back beautiful music memories
never will forget these songs!!!

:) <3 =]

Does What It's Supposed To

These really are the classics. Disappointed at the omission of Next To You, but "what can I dooooooooooo." The perfect album for anyone craving a sampling of this legendary band.

Biography

Formed: 1977 in London, England

Genre: Rock

Years Active: '70s, '80s, '90s, '00s

Nominally, the Police were punk rock, but that's only in the loosest sense of the term. The trio's nervous, reggae-injected pop/rock was punky, but it wasn't necessarily punk. All three members were considerably more technically proficient than the average punk or new wave band. Andy Summers had a precise guitar attack that created dense, interlocking waves of sounds and effects. Stewart Copeland could play polyrhythms effortlessly. And Sting, with his high, keening voice, was capable of constructing...
Full Bio

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