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The Psychedelic Sounds of the 13th Floor Elevators

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Album Review

Did the 13th Floor Elevators invent psychedelic rock? Aficionados will be debating that point for decades, but if Roky Erickson and his fellow travelers into inner space weren't there first, they were certainly close to the front of the line, and there are few albums from the early stages of the psych movement that sound as distinctively trippy — and remain as pleasing — as the group's groundbreaking debut, The Psychedelic Sounds of the 13th Floor Elevators. In 1966, psychedelia hadn't been around long enough for its clichés to be set in stone, and Psychedelic Sounds thankfully avoids most of them; while the sensuous twists of the melodies and the charming psychobabble of the lyrics make it sound like these folks were indulging in something stronger than Pearl Beer, at this point the Elevators sounded like a smarter-than-average folk-rock band with a truly uncommon level of intensity. Roky Erickson's vocals are strong and compelling throughout, whether he's wailing like some lysergic James Brown or murmuring quietly, and Stacy Sutherland's guitar leads — long on melodic invention without a lot of pointless heroics — are a real treat to hear. And nobody played electric jug quite like Tommy Hall...actually, nobody played it at all besides him, but his oddball noises gave the band a truly unique sonic texture. If you want to argue that psychedelia was as much a frame of mind as a musical style, it's instructive to compare the recording of "You're Gonna Miss Me" by Erickson's earlier band, the Spades, to the version on this album — the difference is more attitudinal than anything else, but it's enough to make all the difference in the world. (The division is even clearer between the Spades' "We Sell Soul" and the rewrite on Psychedelic Sounds, "Don't Fall Down"). The 13th Floor Elevators were trailblazers in the psychedelic rock scene, and in time they'd pay a heavy price for exploring the outer edges of musical and psychological possibility, but along the way they left behind a few fine albums, and The Psychedelic Sounds of the 13th Floor Elevators remains a potent delight.

Customer Reviews

High School Daze

The 'Elevators' prompted me to take up the guitar . So so long ago.
Been livin' on the 13th floor ever since..

December 1965 into 1966 and beyond

Roky and his band started cranking out these marvelous LSD ditties in Austin, TX and then, after some good local airplay, moved down to Houston. Janis Joplin opened for them in Austin a couple times. This is like listending to the very first bebop jazz record in 1942 or very first R&B record in1943...no polish at all, but being polished wasn't the point!

Biography

Formed: 1965 in Austin, TX

Genre: Rock

Years Active: '60s

The 13th Floor Elevators were one of the pioneering bands of psychedelic music; many have cited them as the first true psychedelic rock band, and if they weren't, they certainly predated most of the San Francisco bands that gave the sound a global audience. The Elevators played a bracing fusion of garage rock and genre-defying musical exploration powered by Roky Erickson's feral vocals and rhythm guitar, Stacy Sutherland's concise but agile lead guitar work, and Tommy Hall's amplified jug playing,...
Full Bio

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