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Songs in Red and Gray

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Album Review

In musical terms, it is less significant that Mitchell Froom is no longer Suzanne Vega's husband than it is that he is no longer her producer. Although Froom's experimental style helped the singer/songwriter fulfill her desire to expand beyond her folk-pop roots on her fourth and fifth albums, 99 F° and Nine Objects of Desire, his approach actually worked against the material, cluttering her intimate, direct songs with inappropriate percussion tracks and various kinds of sound processing. So, listeners who responded strongly to her first three albums but found the Froom discs off-putting (and there were plenty of them) should be alerted that, sonically, Songs in Red and Gray is ready to welcome back old fans. Produced by Rupert Hine, it has the kind of carefully played acoustic guitar work and close-up vocal miking that characterized Suzanne Vega and Solitude Standing. That makes it easier to appreciate Froom's departure from Vega's personal life as well as her professional one, however. This is very much a divorce album, its songs frequently touching on romantic discord and the resulting fall-out. Vega is both precise and artful in describing the situation. She writes by metaphor, unafraid, on "Machine Ballerina," for example, to mix those metaphors and pile them up. That allows her some emotional distance, but never at the expense of meaning. Her concern with the dissolution of her marriage and its impact on her child is apparent in "Soap and Water" when she sings, "Daddy's a dark riddle/Mama's a headful of bees/you are my little kite /carried away in the wayward breeze," even though the lines make up a succession of metaphors. Her calm, hushed, clear singing only emphasizes the emotional torment the songs trace. The result is an album on a par with her best work.

Customer Reviews

Sadness leads to redemtion

To this day, I remember opening this album. Sitting on a street in NYC. Waiting for a lunch date. I remember the anticipation, the reading of the liner notes the scent of the new CD. Then, I listened to the album and immediately fell in love -- unusual for me, I often need two or three listenings to really get an album. The title track, tells the story of reuniting lovers and in snapshots, almost like pictures taken during a strobe light, brings to life a tense, yet visually stunning portrait. Every so often there is a song that is so completely the artist that it stands on its own. Songs in Red and Gray is that song. And, quite possibly, it is the album that signifies Suzanne's return to herself.

Thoughtful music for enjoyment.

A very organic sounding album. There is something about Suzanne Vega that has me stunned. Music that seems to be moving at a fast pace, with the subjects and the imagery's scene-changing and all. It seems a lot to catch up to. Also, there seems to be a fluid motion which makes the songs of serious subjects hit hard in one's heart; with it's strong escort, Vega's great us of metaphor and rhyme. Suzanne Vega does what seems natural, but like I said previously, I am stunned by the quality. I would call this album one of the few that make me enjoy music. In my desensitized sense, being exposed to so many artists, this is an album that begs to be listened, thought about, and ultimately enjoyed. It makes me want to like music besides being so critical of it.

Pleasant Surprise

I walked in the door from school one day and heard "It Makes Me Wonder". Immediately I asked my mom who this song was by, and have loved it ever since. Where have i been to have not heard this sooner?


Born: July 11, 1959 in Santa Monica, CA

Genre: Pop

Years Active: '80s, '90s, '00s, '10s

Suzanne Vega was the first major figure in the bumper crop of female singer/songwriters who rose to prominence during the late '80s and '90s. Her hushed, restrained folk-pop and highly literate lyrics (inspired chiefly by Leonard Cohen, as well as Lou Reed and Bob Dylan) laid the initial musical groundwork for what later became the trademark sound of Lilith Fair (a tour on which she was a regular). Moreover, her left-field hit single "Luka" helped convince record companies that folk-styled singer/songwriters...
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