5 Songs, 22 Minutes

TITLE TIME
4:36
5:21
4:16
2:52
5:33

Customer Reviews

3.8 out of 5

6 Ratings

6 Ratings

Too produced?

Lickety Splitz

It's Mason alright, but I'm wondering if his sound is evolving too much, as each track sounds way overproduced. I know he is growing as an artist, but I would hope that he doesn't totally abandon the acoustic sounds that made his early albums great. If you are new to Mason, check out some earlier works before this one. Almost two different artists.

Great Piece

joshua M

This might not be his best work. But does he really have a best piece he is so talented as an artist. This EP is meant to be some of the songs he liked that didn't make it to his albums. But the songs on this EP is so amazing. Sacred Place is a beautiful song that shows the spiritual side of Mason Jennings. Fighter Girl is one of the best songs in my opinion by Mason Jennings it has such a mellow but upbeat rythm. The sound of Masons voice is soothing and his guitar playing is so melodic and smooth...

Don't download, wrong EP version.

reefdog

Don't buy this version of the EP! It's missing a track. Go to Mason's album index to find the complete version of the EP (the one that doesn't say "Partial Album). I hate using the stars to rate "the experience", but in this case I'm not discouraging you from listening to the EP, just from buying the wrong version.

About Mason Jennings

Singer/songwriter Mason Jennings blends the personal insights of a poet, the political broadsides of a protest singer, and the broad musical eclecticism of a jazz musician with a rock & roller's passion. The result made him one of the most talked-about new artists on the acoustic music scene and earned him a loyal cult following, as he moved over 30,000 copies of his first two albums and sold out shows around the country without the benefit of a major-label publicity department.

Jennings was born in 1975 in Honolulu, Hawaii, but moved to Pittsburgh with his family shortly after. While still a young boy, his father moved to Minneapolis, Minnesota and sent his son a series of tapes featuring bands that were storming the then-fertile Twin Cities music scene. Inspired, Jennings picked up a guitar and starting writing songs by the age of 13. Three years later, Jennings decided to pursue a career in music and promptly dropped out of school, opting instead to move to Minneapolis and work on his songs full-time. At 19, he'd already attracted the attention of a major booking agency and begun receiving offers from record companies, but Jennings was more interested in a situation that would offer him creative freedom, not a fast influx of cash. Jennings soon retreated to his apartment and began working on his first album, which he recorded and scrapped four times before finally settling on a final track list.

Featuring just Jennings and his guitar, Mason Jennings was also produced and released solely by the artist himself. The album proved to be a potent calling card for Jennings; it received significant airplay on local radio stations, and the songwriter began playing a Thursday night residency at Minneapolis' 400 Bar, which soon won him a potent local fan base. Before long, Jennings began gigging with bassist Robert Skoro and drummer Chris Stock, and the Mason Jennings Band began work on their namesake's second album when Jennings contracted mononucleosis and was forced to take six months off from performing and recording. Following his recovery, Jennings opted to scrap the set of live favorites he'd begun to record and instead cut a set of new (and often strongly political) numbers for his second album, Birds Flying Away. More gigging followed, but drummer Chris Stock was unable to reconcile the rigors of touring with his personal life and amicably left the group, with Brazilian jazz musician Edgar Oliveira taking over the percussionist's spot.

Jennings' continued roadwork added to the enthusiasm of his fans and the positive press he received for his first two albums. For his third release, 2002's Century Spring, he finally found a proper record company to release his product (Architect Records) and signed a distribution deal with established East Coast indie label Bar/None Records, which also issued Use Your Voice in 2004. The next year, Jennings joined as the first artist on Modest Mouse frontman Isaac Brock's Epic imprint, Glacial Pace, which then released Boneclouds in 2006. His relationship with Glacial Pace soured, however, and Jennings made yet another jump -- this time to Jack Johnson's Brushfire Records -- for the release of 2008's In the Ever. He remained with the label for Blood of Man, which was recorded in a woodside studio and released in 2009. Two years later, he delivered the studio album Minnesota, featuring the single "Witches Dream." In 2013, Jennings returned with the Bo Ramsey-produced Always Been. ~ Mark Deming

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