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Terminal 1

Benny Golson

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Album Review

Tying in with his cameo appearance in Steven Spielberg's film The Terminal, saxophonist Benny Golson returns with Terminal 1. Featuring more of his sophisticated and swinging tunes, the album finds Golson in top form on some of his best compositions in years. Joining him on the front line here are esteemed trumpeter Eddie Henderson, deft pianist Mike LeDonne, bassist Buster Williams, and drummer Carl Allen. The title track is a mid-'60s-sounding angular piece designed to bring to mind the hustle of airports. Similarly engaging is the gorgeous ballad "Park Avenue Petite," which allows for some burnished melodicism from Henderson. It is also nice to hear Golson and company dig into the under-recorded standard "Cherry." Calling to mind the best Blue Note-era recordings, Terminal 1 is one flight of fancy not to be missed.

Customer Reviews

One of the greatest Jazz CD's to ever come out in the past 10 years

I bought this record after watching the movie, because it really interested me. Once I put this CD in my car, I was blown away. It was pure magic to my ears. Whether it is the Classic Killer Joe, or Blue's March, which is often highlighted in Art Blakeys Jazz Messengers, to Caribbean Drifting which is one of my all time favorites songs nowadays. I recommend everyone buy this album as I am sure it will become a classic

Biography

Born: January 25, 1929 in Philadelphia, PA

Genre: Jazz

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

Benny Golson is a talented composer/arranger whose tenor playing has continued to evolve with time. After attending Howard University (1947-1950) he worked in Philadelphia with Bull Moose Jackson's R&B band (1951) at a time when it included one of his writing influences, Tadd Dameron on piano. Golson played with Dameron for a period in 1953, followed by stints with Lionel Hampton (1953-1954), and Johnny Hodges and Earl Bostic (1954-1956). He came to prominence while with Dizzy Gillespie's globetrotting...
Full Bio