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Infinity

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Reseña de álbum

By 1977 Journey had reached a creative crossroads, with three underwhelming studio albums under their belt and little to show in the way of commercial success. At the prodding of manager Herbie Herbert, who felt a major shakeup was needed in order to reignite their spark, the band was convinced to audition and eventually recruit the services of former Alien Project vocalist Steve Perry. Sure enough, adding him to the band just prior to the sessions for Infinity proved to be a stroke of genius, and a move that undeniably altered the course of history for the fledging Bay Area act. Released in January of 1978, Infinity easily proved to be the band's most cohesive work to date. Dead and buried were the jazz fusion overtones of previous offerings, and with the new songwriting combo of Perry/Neal Schon leading the march, the band set out to completely redefine their sound. Traditional pop arrangements were now adopted, cutting out the unnecessary musical fat, and allowing each bandmember to play to his strength: Perry's soaring, whale of a voice, Schon's scorching fret work, and Gregg Rolie's subtle keyboard arrangements. Enlisting eccentric producer Roy Thomas Baker (already famous for guiding the likes of Queen and Nazareth to giant commercial triumphs of their own) also proved to be a rewarding move for the boys. With newfound confidence, Journey crafted a record that could finally land them on the radio. Loaded with future FM staples like "Wheel in the Sky" (which hit the Top 50 in April of 1978), "Lights" (which quietly peaked at number 68 that August), and "Anytime" (pretty much a flop, crawling to number 83 in July), Infinity introduced Journey to an entirely new audience. Even non-singles like "Patiently (the first tune Perry ever wrote with Schon) and "Somethin' to Hide" were leaps and bounds beyond the band's previous accomplishments. And, ultimately, though Infinity merely introduced the band to mainstream radio (it was the never-ending tour on which the band embarked on to support it that drove the disc past the platinum plateau), it effectively cemented their rep as one of America's most beloved (and sometimes hated) commercial rock/pop bands. With over 170 shows under their belts, Journey had just begin to hit their stride. [Infinity was reissued in 2006, housed in a fancy digipack with an expanded booklet.] ~ John Franck & Ed Rivadavia, Rovi

Reseñas de clientes

Only the Beggining!

From the opening notes of "Lights" to the haunting final cut "Opened the Door" this is truly one of Journey's finest records. It was the summer of 1978 in Chicago and great music was everywhere! "Lights", "Wheel In the Sky" and the one two punch of "Feeling That Way" and "Anytime" made this a summer never to forget. It was the first time the amazing voice of Steve Perry hit the airwaves. The talents of Gregg Rolie, Ross Valory, Aynsley Dunbar and Neil Schon were brought to new heights with the incredible producing talents of Roy Thomas Baker (Queen). This record is a must for any rock n' roll fan.

Fantastic album!

It was fabulous then and it is fabulous now. This is great from start to finish. Most people only know the radio hits, but on this album, all of the tracks are good - Winds of March is my favorite but really most of these are amazing songs - Steve Perry never sounded better. There is no better Journey album than this one!

INFINITY WILL GO ON FOREVER

Personally I feel this is one of the GREATEST albums of all times, right there with Dark Side Of the Moon. This album launched Journey into being one of the greatest bands of the late 70's. My absolute favorite, Winds of March is awesome. Steve Perry made this band Launch. I owned all of Journeys works over the years, this was the BEST one hands down, without question.

Biografía

Fecha de formación: San Francisco, CA, 1973

Género: Rock

Años de actividad: '70s, '80s, '90s, '00s, '10s

During their initial 14 years of existence (1973-1987), Journey altered their musical approach and their personnel extensively while becoming a top touring and recording band. The only constant factor was guitarist Neal Schon, a music prodigy who had been a member of Santana in 1971-1972. The original unit, which was named in a contest on KSAN-FM in San Francisco, featured Schon, bassist Ross Valory, drummer Prairie Prince (replaced by Aynsley Dunbar), and guitarist George Tickner (who left after...
Biografía completa