12 Songs, 40 Minutes

EDITORS’ NOTES

Kramer projects both vulnerability and resilience on tracks like the erotically charged “Whiskey” and the emotionally complex “Good as You Were Bad.” She brings a smart, sassy attitude to uptempo songs like “King of Apologies” (a kiss-off tune set to a clap-along groove) and “One of the Boys” (a tomboy-style party number with Shania Twain overtones). Her production veers with ease from the swampy rhythm to moody balladry.

EDITORS’ NOTES

Kramer projects both vulnerability and resilience on tracks like the erotically charged “Whiskey” and the emotionally complex “Good as You Were Bad.” She brings a smart, sassy attitude to uptempo songs like “King of Apologies” (a kiss-off tune set to a clap-along groove) and “One of the Boys” (a tomboy-style party number with Shania Twain overtones). Her production veers with ease from the swampy rhythm to moody balladry.

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