iTunes

Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Naked Willie by Willie Nelson, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Naked Willie

Open iTunes to preview, buy, and download music.

iTunes Review

Naked Willie is a 17-track collection of songs Willie Nelson recorded for RCA Records between 1966 and 1970, “unproduced” by his friend and harmonica player Mickey Raphael to reveal the true essence of the material. The original recordings were embellished with orchestration and back-up singers that were an established element of the then prevalent “Nashville Sound” and completely at odds with the emotive instincts of Nelson’s music. The original results were often satisfactory yet sometimes absurd. Now, with Raphael going back to the original master tapes, the songs are stripped of their excess production touches and left with just the skeletal sounds of the band and Willie’s own expressive voice. An unorthodox singer, Nelson stands firmly at the center of these songs. “Jimmy’s Road” is stark and stunning. “The Party’s Over” is naturalistic. “Sunday Morning Coming Down” is spirited and perfectly reflective of the hangover it portrays. Hopefully, this idea — also used on the Beatles’ Let It Be…Naked — will catch on for many recordings that were sacrificed for the production values of the day.

Customer Reviews

Classic Willie

Classic Willie ala 1970's when the outlaw movement began. Some schmalz, but mostly well produced. If you are a Wilie Nelson fan, this is a must have.

Willie’s Nashville-era work stripped to the studs

Nelson’s longtime harmonica player Mickey Raphael “unproduced” these seventeen tracks from the original RCA multitrack masters, drawing material from 1967’s The Party’s Over and Other Great Willie Nelson Songs, 1969’s My Own Peculiar Way, 1970’s Laying My Burdens Down, 1971’s Willie Nelson & Family, and a few rarities, including the 1968 single “Bring Me Sunshine,” and the archive tracks “Jimmy’s Road” from 1968 and “If You Could See What’s Going Through My Mind” from 1970. The new mixes are stripped of strings and backing vocals, leaving Nelson’s voice up front of rudimentary arrangements of guitar, bass, piano and drums, and occasional flourishes of vibraphone, steel and organ. Unfortunately, the notion that these de-sweetened versions get to the roots of the songwriter’s original vision is only half true, as Nelson and Raphael could only work with what was on the tapes, which includes unswinging Nashville-styled performances from studio A-listers. The basic tracks were purposely arranged as scaffolding upon which decoration was to be layered, distracting decoration perhaps, but decoration that was part of the original architecture. What’s left sounds unfinished, rather than the original root of something that was embellished. Even without the orchestration and backing chorus, Nelson’s vocals remain at odds with the backing players, confined by Nashville’s straight time, and unable to launch his idiosyncratic vocal stylings. This would be less evident had Nelson not bucked Nashville’s constrictions and satisfied his muse across dozens of celebrated albums for Atlantic and Columbia. These de-produced versions are neither the intricately assembled, finished products of Nelson’s producers, nor the fleshed out visions of a singer-songwriter chafing against Nashville’s conventions. The Nashville studio players only hint at the emotional work that would back Nelson’s breakthrough efforts. Fans will enjoy hearing Nelson’s voice out front of these terrific songs, but the there isn’t true gold lurking beneath the orchestrations and backing vocalists, only a clearer picture of just how desperately Nelson needed to break free of Nashville’s way of doing things. 3-1/2 stars, if allowed fractional ratings. [©2009 hyperbolium dot com]

Fine Wine and Chesse from Willie

Yep, this is for us Willie fans. I like to get these new and unusual perspectives from his catalogue. Sure, some of it is cheesy, but you have to put it in context. Just like some of George Carlin or Steve Martin's earlier comedy would seem silly today. You have to see that Willie has always been a free bird, musically. The fine wine of Willie are the those early songs when Willie found his classic style with: Local Memory, Party's Over, Laying My Burden's Down, etc. Whatever Willie does is always legit because he won't do something if he can't put his personal stamp on it.

Biography

Born: April 29, 1933 in Abbott, TX

Genre: Country

Years Active: '50s, '60s, '70s, '80s, '90s, '00s, '10s

As a songwriter and a performer, Willie Nelson played a vital role in post-rock & roll country music. Although he didn't become a star until the mid-'70s, Nelson spent the '60s writing songs that became hits for stars like Ray Price ("Night Life"), Patsy Cline ("Crazy"), Faron Young ("Hello Walls"), and Billy Walker ("Funny How Time Slips Away") as well as releasing a series of records on Liberty and RCA that earned him a small but devoted cult following. During the early '70s, Willie aligned himself...
Full Bio