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Roy Buchanan

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Album Review

The recording and production on this, Roy Buchanan's first record for Polydor, is delightfully bare, sparse in ornamentation, and full of bum notes and aborted ideas that would be deleted on most commercial releases. It is a loose, highly improvised affair that amply demonstrates why the leader is one of the underappreciated giants of rootsy guitar. Straddling country, blues, and traditional rock & roll, Buchanan's playing is fiery and unpremeditated. His tone is delightfully raw and piercing, his solo ideas impetuous and uncluttered. On the instrumental tracks, such as his famous reading of "Sweet Dreams" or Buchanan's own "The Messiah Will Come Again," one can see why he was such an influence on Jeff Beck, another master of the instrument known for his genre-blending and ragged spontaneity. There is a slight Michael Bloomfield influence felt in Buchanan's blues playing, most evident in the first chorus of "John's Blues" and the quasi-Eastern ornamentations on "Pete's Blue." He plays with pitch, placing notes in unexpected places, constantly keeping the listener guessing. The country tracks, such as "I am a Lonesome Fugitive" and Hank Williams' "Hey, Good Lookin'," benefit greatly from Chuck Tilley's understated vocals. Despite Tilley's presence, the main focus on this record is Buchanan's wailing guitar, which punctuating the vocals with bluesy cries and country moans. The strongest track on Roy Buchanan is "The Messiah Will Come Again." This song opens with Buchanan's mumbled spoken word intro over quiet organ and then yields to spine-tingling, sorrow-laden Telecaster that cries and screams in existential torment before giving way in turn to percussive flurries that make less sense as melodic improvisation than as cries of passion. This is raw guitar playing and music making, not for the faint of heart. Fans of blues or country guitar, or those just curious why Jeff Beck would dedicate "'Cause We've Ended As Lovers" from Blow By Blow to Buchanan, would do themselves a favor by picking up this album.

Customer Reviews

The best of the known and "The Departed"

I first heard Roy Buchanan in 1977, when I was in 7th Grade. On Sunday nights while falling asleep in bed, I would set my radio to 95.5 WPLJ. Normally an AOR station; on Sunday nights the station would do talk radio. Father Bill would handle awkard questions on ethics from teens. His opening music was Roy Buchanan's "The Messiah Will Come Again." I had never heard anyone play guitar like that. So in 1977, at the age of 12, I became a Roy Buchanan fan. I purchased this album and several others. Roy Buchanan was the world's best classic electric blues guitarist. There are simply no comparisons. This guy blows Clapton away. He plays with emotion unknown. And there's the irony b/c Roy Buchanan is unknown. Unknown and departed. He is "The Departed." So when I was watching Martin Scorsese's "The Departed" last night, I was touched to find that as the screen fades to black... and only Scorsese's name appears in white... the faint beginnings of "Sweet Dreams" from this album, start to play. Then comes the intense picking of Roy's blues melody. Then the Hammond B3 organ starts to pipe in. It is haunting and religious all at once. That's this album. Listen to it; all its eclectic turns. Its brevity, but listen to it... and you too will follow The Departed.

Beyond Belief

This guy is simply as good as a guitar player can be. It is a a country flavored disk but if you are a guitar player or lover of telecaster guitar tones, just get this. Now.

Ultimate blues guitar

I first heard this record in 2000. I was blown away. Still am. The one track, John's Blues, has more emotion exploding inside it than all the blues ever sung. Ignore the vocal tracks. I've listened to a lot of guitarists over many years. None has the gut-wrenching intensity of this man. Unfortunately, this record represents Mr. Buchanan's high point. It's even more unfortunate that his talent was so gravely underappreciated he hung himself, much to the loss of us all. He was known by other musicians and guitarists, as evidenced by Jeff Beck's great tune dedicated to Roy Buchanan, 'Cause We've Ended as Lovers. Spread the word: there is no greater blues guitarist.


Born: September 23, 1939 in Ozark, AR

Genre: Blues

Years Active: '50s, '60s, '70s, '80s

Roy Buchanan has long been considered one of the finest, yet criminally overlooked guitarists of the blues rock genre whose lyrical leads and use of harmonics would later influence such guitar greats as Jeff Beck, his one-time student Robbie Robertson, and ZZ Top's Billy Gibbons. Although born in Ozark, AR, on September 23, 1939, Buchanan grew up in the small town of Pixley, CA. His father was both a farmer and Pentecostal preacher, which would bring the youngster his first exposure to gospel music...
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