13 Songs, 58 Minutes

EDITORS’ NOTES

Listening to the hard-luck narratives on Junky Star, you’d never know that Ryan Bingham had recently won an Academy Award for his song “The Weary Kind” (featured in the 2009 film Crazy Heart). This latter-day Dust Bowl troubadour carries himself with the same ragged integrity that made his earlier albums so striking. Producer T Bone Burnett keeps the album’s sound unvarnished, allowing the sinewy folk-rock of Bingham and his group to speak with stark eloquence. Eruptions of sudden violence mingle with glimpses of quiet grace in these songs. Bingham’s bone-dry, gravel-pitted vocals give these bleak yet magical tunes a palpable moral weight and emotional resonance. The title track, “All Choked Up Again” and especially “Hallelujah” (a beyond-the-grave testimony of a murdered man) are dark, compelling visions sung with deceptive restraint. The anthemic “Depression” and the rollicking “Direction of the Wind” offer defiance amidst desolation, while “The Poet” and “Yesterday’s Blues” find beauty in America’s lonesome spaces. Junky Star shines.

EDITORS’ NOTES

Listening to the hard-luck narratives on Junky Star, you’d never know that Ryan Bingham had recently won an Academy Award for his song “The Weary Kind” (featured in the 2009 film Crazy Heart). This latter-day Dust Bowl troubadour carries himself with the same ragged integrity that made his earlier albums so striking. Producer T Bone Burnett keeps the album’s sound unvarnished, allowing the sinewy folk-rock of Bingham and his group to speak with stark eloquence. Eruptions of sudden violence mingle with glimpses of quiet grace in these songs. Bingham’s bone-dry, gravel-pitted vocals give these bleak yet magical tunes a palpable moral weight and emotional resonance. The title track, “All Choked Up Again” and especially “Hallelujah” (a beyond-the-grave testimony of a murdered man) are dark, compelling visions sung with deceptive restraint. The anthemic “Depression” and the rollicking “Direction of the Wind” offer defiance amidst desolation, while “The Poet” and “Yesterday’s Blues” find beauty in America’s lonesome spaces. Junky Star shines.

TITLE TIME

About Ryan Bingham

Americana singer/songwriter Ryan Bingham was raised in rural Texas, where years of hardscrabble ranch work and rodeo competitions would later lend a sense of authenticity to his music. Living alone since his mid-teens, Bingham shuttled back and forth between Southwestern border towns and relatives' homes, often sleeping in his truck after rodeo shows. It was during those treks that he began entertaining friends with the guitar, an instrument he'd learned at the age of 17 from a mariachi neighbor. Drawing inspiration from Bob Dylan, Marshall Tucker, and Bob Wills -- all of whom populated the jukebox of The Halfway Bar, a roadhouse owned by Bingham's uncle (whose musical tastes influenced those of his nephew) -- Bingham fashioned a road-weary sound that piqued the interest of a barroom proprietor in Stephenville, Texas. Bingham was offered a weekly residency at the bar; soon after, he began issuing self-released albums like Lost Bound Rails and Wishbone Saloon. The material was brought to the attention of Nashville heavyweights Lost Highway Records, who signed Bingham and issued his major-label debut, Mescalito (featuring production by Marc Ford, former guitarist for the Black Crowes), in October 2007.

Mescalito was well-received by critics, with Rolling Stone aptly comparing Bingham's raw, scratchy voice to that of "Steve Earle's dad." After supporting the album with ample tour dates, the songwriter reprised his relationship with Marc Ford, who produced 2009's Roadhouse Sun. Later that year, he joined another music veteran -- producer/songwriter T-Bone Burnett -- in contributing music to the film Crazy Heart. Revolving around the attempted comeback of a down-and-out country singer, Crazy Heart became one of the year's highest-praised films and won a Golden Globe and an Oscar for "The Weary Kind," one of Bingham's original compositions written with T-Bone Burnett, the soundtrack's musical director and producer. Bingham and his band the Dead Horses followed it with the album Junky Star in September of 2010, produced by Burnett. Bingham left Lost Highway after three albums and released 2012's Tomorrowland, recorded in Malibu, California and co-produced by Bingham and Justin Stanley, on Bingham's own newly created Axster Bingham Records imprint. The Jim Scott-produced Fear and Saturday Night appeared in January 2015. The concert set Ryan Bingham Live was released in October 2016. ~ Andrew Leahey

HOMETOWN
Hobbs, NM
GENRE
Rock
BORN
March 31, 1981

Songs

Albums

Videos

Listeners Also Played