Ratings and Reviews
I’ve been a fan for over 20 years and was so excited to hear The Get Up Kids we’re finally making new music. I couldn’t be more disappointed. The whole EP sounds like a garage band thats patting themselves on the back for sub par music when they finally get their act together. Drum rhythms are junior high level, and the melodies are very basic. 4 minute mile brings our every emotion possible. This EP is just a sad attempt at a comeback.
I don't know who in the band wants the recordings to sound crappy but stop !!!!!!! Sounds like the gate on the fuzz pedal is fully turned up and you ran every instrument through it. The songs are written better than the last album but the recording just blows hopefully the album will sound good but doubt it
I dig it....
Had to check the description to see it wasn’t a b-side of four minute mile/ something to write home about era “a” songs. Fun, energetic, well written
About The Get Up Kids
The Get Up Kids' hyper melodies, heartfelt lyrics, and punk-driven, high-energy sound helped them become one of the most popular and influential of the second wave of emo bands that crested in the late '90s. After a series of singles and a scrappy debut album, 1997's Four Minute Mile, they released the critically acclaimed Something to Write Home About album in 1999. Over the next few years, their sound shifted to a more mature and measured approach. Though the band split in 2005, they were playing live shows together again by the late 2000s and returned to the studio sporadically to record new music, including 2011's self-released full-length There Are Rules and 2018's Kicker EP, which harked back to the energetic emo-pop sound of their early days.
The band, made up of vocalist/guitarist Matthew Pryor, guitarist/vocalist Jim Suptic, bassist Robert Pope, and drummer Ryan Pope (Robert's younger brother, who replaced Nathan Shay early on), formed in Kansas City during 1995 and debuted in 1996 with a slew of 7"s, including Shorty on the Huey Proudhon label and All Stars on Doghouse Records. They followed that the next year with the Woodson EP and their debut full-length, Four Minute Mile, the latter recorded with Shellac's Bob Weston. The well-received albums started a growing buzz around the indie rock scene, even causing the bandmembers to field offers from major labels, which they ultimately turned down. In 1998, the Get Up Kids toured extensively with bands like the Promise Ring and Jimmy Eat World and released more singles, including "I'm a Loner, Dottie, a Rebel," which also appeared on their classic 1999 album, Something to Write Home About. Released through their own Heroes & Villains label and their patrons Vagrant, Something to Write Home About featured newly added keyboardist James Dewees and focused the scrappy energy of their promising debut into a visceral and intelligent collection of highly introspective and melodic songs that would go on to influence countless bands; the album garnered high critical and fan praise and made the Get Up Kids heroes of the emocore scene.
The band resurfaced two years later, re-releasing some of its early works as the album Eudora and hitting the road with Green Day, Hot Rod Circuit, and Weezer along the way. It wasn't until 2002 that a new album, On a Wire, surfaced, featuring more sparsely arranged and somber songs different than the stirring emo-pop of before. The relatively more upbeat Guilt Show, the band's fifth album and third effort with producer Ed Rose, appeared in spring 2004. The concert album Live @ the Granada Theater surfaced a year later, marking the band's tenth anniversary. But 2005 also marked their presumed final set of tour dates, as the guys announced around the same time that they would be calling it quits -- the apparent last Get Up Kids date was held at their hometown's Uptown Theater on July 2, 2005. The bandmembers continued on with various individual projects, including Pryor with the New Amsterdams and his kids' music project, the Terrible Twos; Dewees with Reggie and the Full Effect; Suptic with his own Blackpool Lights; and the Pope brothers with Koufax. Rob Pope also joined Spoon in 2007.
The breakup didn't take, though, and the group reunited in 2009 to celebrate the tenth anniversary of Something to Write Home About with a deluxe reissue and a tour. Not wanting to waste an opportunity, they wrote an album's worth of new material that was released as a series of EPs during 2010. The first, Simple Science, arrived in April and promptly reached the Billboard charts, proving that the band still had a devoted audience. After the release of Simple Science, the Get Up Kids scrapped their three-EP plan, instead combining the other songs with even more new material and releasing it as a full-length album. The result was their fifth full-length, 2011's There Are Rules, which they self-released through their own Quality Hill label.
After the release, the band toured as schedules allowed and the members headed off in separate directions. Pryor released solo albums (including 2013's Wrist Slitter and 2017's Memento Mori), Dewees stayed busy with Reggie and the Full Effect, Rob Pope played with Spoon, and Suptic formed Radar State (a band that also included Pryor). In 2017, the Kids reconvened and began work on new songs, eventually recording them at Fire 'N' Ice Studios in Baldwin, Kansas. Polyvinyl Records released the resulting EP, Kicker, in June of 2018. ~ Heather Phares
- Kansas City, MO