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Apocalypso (Deluxe Version)

The Presets

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Album Review

What with Vince Clarke living in semi-retirement in rural Maine and New Order suddenly realizing after 30 years that they don't like each other all that much, it's a hard time to be a fan of synthesizer dance pop from the '80s. Until the Presets' second album comes on, that is. The Sydney-based duo of singer Julian Hamilton and synthesist Kim Moyes is straight-ahead old-fashioned electro-pop circa 1984, when the fusion of the Human League and Giorgio Moroder was complete but the cold, hard demands of techno and house hadn't yet asserted themselves outside of Detroit and Chicago. Tracks like first single "My People" and its surging follow-up, "This Boy's in Love," have the characteristic blend of steely synths, thumping electronic beats, and Motown-derived soul-tinged vocals that characterized the predominant strain of mid-'80s synth pop. It's not entirely retro — "Eucalyptus," the Daft Punk-like "Talk Like That," and the soaring "A New Sky" would sound at home in any mainstream club DJ's set circa 2008 — but the overall feel of the album from its arrangements to the sci-fi-themed cover art and even the album title (which several artists used for songs back in the day, from the Monochrome Set and Lords of the New Church to the Motels and Mental as Anything) harks back to the day when the Fairlight CMI was the height of musical sophistication and Jellybean Benitez and Arthur Baker were the hottest remixers on the block. [This edition includes the bonus track "Buzz Factory."]

Customer Reviews

Finally!!!

the Lifelike Remix of This Boy's in Love, now we need the tom middleton remix of If i Know You, to make people fall in love with them

Quality Issue on Tracks 1 2 4

Apocalypso (Deluxe Version) Defected quality 1 Kicking and Screaming @beginning 2 My People @beginning 4. Are You the One? (Lifelike remix) @26 Sec. Be advised.

Biography

Formed: 2003 in Sydney, New South Wales, Australi

Genre: Dance

Years Active: '00s

The Presets are a pair of avant-garde Aussies who, while forging a musical path that wouldn't be unfamiliar to acts like Daft Punk, Nine Inch Nails, and the Faint, don't mind dragging disco along for the ride. Julian Hamilton (production, keyboards, vocals) and Kimberley Moyes (production, drums, programming) met in the early '90s as students at Sydney's Conservatorium of Music. Both were there to study classical music, but as they delved into the great composers, neither could forget an extracurricular...
Full Bio
Apocalypso (Deluxe Version), The Presets
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Customer Ratings

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